| Walter Sande | ... | B.M. 'Bull Moose' Brannigan | |
| Cameron Mitchell | ... | Clyde Peeler / Narrator | |
| William 'Bill' Phillips | ... | Louie, Brannigan Chief Henchman | |
| Robert Lewis | ... | Kovak - Clyde's cellmate (as Bob Lewis) | |
| Addison Richards | ... | Warden / Narrator | |
| rest of cast listed alphabetically: | |||
| Jack Carr | ... | Joe - Brannigan Henchman (uncredited) | |
| Anthony Caruso | ... | Eddie - Brannigan's Henchman (uncredited) | |
| Dick Curtis | ... | Brannigan Bull Henchman (uncredited) | |
| Frank Darien | ... | J.M. 'Dad' Pilkington (uncredited) | |
| Eddie Hyans | ... | Kovak Bodyguard (uncredited) | |
| George Lynn | ... | Griff (uncredited) | |
| Herbert Lytton | ... | Shoe Convict (uncredited) | |
| Harold Minjir | ... | The Tailor (uncredited) | |
| Paul Newlan | ... | Third Bartender (uncredited) | |
| Garry Owen | ... | Jake - Kovac Gang Traitor (uncredited) | |
| Dick Rich | ... | Chuck - Kovac Gang Traitor (uncredited) | |
| Dewey Robinson | ... | Brannigan Henchman (uncredited) | |
| Harry Strang | ... | Second Bartender (uncredited) | |
| Charles Wagenheim | ... | First Bartender (uncredited) | |
| James Warren | ... | Tailor's Assistant (uncredited) | |
Directed by | |||
| Walter Hart | |||
Writing credits | ||
| DeVallon Scott | (story) and | |
| Alan Friedman | (story) | |
| DeVallon Scott | (screenplay) and | |
| Alan Friedman | (screenplay) | |
Original Music by | |||
| Max Terr | |||
Cinematography by | |||
| Charles Salerno Jr. | |||
Film Editing by | |||
| Harry Komer | |||
Art Direction by | |||
| Richard Duce | |||
Music Department | |||
| Ted Duncan | .... | orchestrator (uncredited) | |
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| Full cast and crew | Company credits | IMDb Crime section |
| IMDb USA section |
The only reason I watched this episode of the series was to see CAMERON MITCHELL in his first screen role. He's hardly in it--only at the start and finish--but narrates most of it.
He's in jail about to be released and still thinks the life of a gangster can be a glamorous one. He reads all about the exploits of one of his favorite criminals--and in the end, is shown what has happened to that "glamorous" creature who is now a sad relic of the man he used to be. This, supposedly, convinces Mitchell to go straight once he's released.
It's totally unconvincing and fails to make its point with any distinction. Definitely one of the weakest entries I've ever seen in this so-so documentary series, never subtle in its approach.