Cell mates Clyde and Griff are both soon being released from jail. Griff offers Clyde an opportunity to continue a life of crime on the outside, implying that his criminal connections would... See full summary »
This MGM short, part of the Crime does not Pay series, focuses on industrial sabotage during wartime. After a valuable shipment of manganese is blown up at a plant, the FBI try to find out ... See full summary »
Joseph M. Newman
The MGM crime reporter introduces Mr. Duncan, the head of a charity chest of a large city. Duncan talks about racketeers who steal from charities, which in essence is robbing those who ... See full summary »
Felix E. Feist
Howard C. Hickman
In this entry in the MGM "Crime Does Not Pay" series young Frank Davis, dropping out of school and joining a small-time hoodlum gang, finds out that leading a life of crime is not all he ... See full summary »
William 'Bill' Phillips
Cell mates Clyde and Griff are both soon being released from jail. Griff offers Clyde an opportunity to continue a life of crime on the outside, implying that his criminal connections would lead to as glamorous a criminal life as there ever was, comparing this situation to the glory days of the 1920s. Clyde is reading a story in a magazine about 1920s underworld czar, Bull Moose Brannigan. In the story, Brannigan is able to take control of the criminal world, stamping out anyone who tried to muscle in on his territory. Because of Brannigan's life, he who could buy anything he wanted, Clyde is thinking about taking Griff up on his offer, believing he may have the opportunity to become the next Bull Moose Brannigan in doing so. The warden, upon Clyde's release, hopes he has a way to keep Clyde on the straight and narrow on the outside. Written by
The only reason I watched this episode of the series was to see CAMERON MITCHELL in his first screen role. He's hardly in it--only at the start and finish--but narrates most of it.
He's in jail about to be released and still thinks the life of a gangster can be a glamorous one. He reads all about the exploits of one of his favorite criminals--and in the end, is shown what has happened to that "glamorous" creature who is now a sad relic of the man he used to be. This, supposedly, convinces Mitchell to go straight once he's released.
It's totally unconvincing and fails to make its point with any distinction. Definitely one of the weakest entries I've ever seen in this so-so documentary series, never subtle in its approach.
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