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The Last Installment (1945)

 -  Short | Crime | Drama  -  5 May 1945 (USA)
6.0
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Ratings: 6.0/10 from 58 users  
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In his prison cell, Clyde reads about the glamorized life story of Bull Moose Brannigan, a 1920's gangster, in installments in a magazine. He dreams of the day when he gets out and can ... See full summary »

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Cast

Complete credited cast:
Walter Sande ...
B.M. 'Bull Moose' Brannigan
...
Clyde Peeler / Narrator
William 'Bill' Phillips ...
Louie, Brannigan Chief Henchman
Robert Lewis ...
Kovak - Clyde's cellmate (as Bob Lewis)
Addison Richards ...
Warden / Narrator
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Storyline

In his prison cell, Clyde reads about the glamorized life story of Bull Moose Brannigan, a 1920's gangster, in installments in a magazine. He dreams of the day when he gets out and can enjoy the life he reads about. As the day of freedom approaches, the warden shows Clyde how Brannigan ended up, i.e., "the last installment." Written by David Glagovsky <dglagovsky@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Short | Crime | Drama

Certificate:

Approved
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Details

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Release Date:

5 May 1945 (USA)  »

Also Known As:

The Last Installment: A Crime Does Not Pay Subject  »

Company Credits

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 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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User Reviews

 
Trite entry in the "Crime Does Not Pay" series...
29 June 2010 | by (U.S.A.) – See all my reviews

The only reason I watched this episode of the series was to see CAMERON MITCHELL in his first screen role. He's hardly in it--only at the start and finish--but narrates most of it.

He's in jail about to be released and still thinks the life of a gangster can be a glamorous one. He reads all about the exploits of one of his favorite criminals--and in the end, is shown what has happened to that "glamorous" creature who is now a sad relic of the man he used to be. This, supposedly, convinces Mitchell to go straight once he's released.

It's totally unconvincing and fails to make its point with any distinction. Definitely one of the weakest entries I've ever seen in this so-so documentary series, never subtle in its approach.


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