The life of boisterous entertainer Texas Guinan is recalled from her poor childhood with a down-on-his-luck father to her reign as the Queen of the Night Clubs. Along the way, she also ... See full summary »
Arturo de Córdova,
Dizzy society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome "tramp" who shows up at her doorstep and soon ends up in a ... See full summary »
Norman Z. McLeod
Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of... See full summary »
It is early 1939 in Poland when Mrs. Bromley and Jennifer come to buy antiques for her business in London. Jennifer meets Count Stephen and they wine, dine and see the sights though out the... See full summary »
London, 1783: Kitty, a saucy wench of the slums, meets the painter Gainsborough by stealing his shoes. He paints her as an "anonymous lady" who excites the interest of his noble friends, notably penniless Sir Hugh Marcy, who schemes to pass Kitty off as a genuine lady (a formidable task) and marry her off for financial gain. But Kitty has her own ideas about the uses of matrimony. Lots of decolletage. Written by
Rod Crawford <email@example.com>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on February 24, 1947 with Paulette Goddard reprising her film role. See more »
Lady Susan Dowitt:
One of the most important accomplishments of the modern young woman is the use of the fan. She does not employ it to cool herself, but rather to express the emotions.
Sir Hugh Marcy:
Women are armed with fans as men are with swords, and frequently do much more damage with them.
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The kind of costume drama that should have been in color...
Mitchell Leisen was at the top of his form as a director in the mid-'40s and KITTY is a high point in his career, as it is for Paulette Goddard. This is the tale of a sharp-tongued guttersnipe (Goddard) who rises to become a Duchess in society thanks to the manipulations of the scheming Ray Milland and Constance Collier. It's a variation of the Pygmalion tale, a 'My Fair Lady' without music, sumptuously photographed in glorious B&W photography, although it's one of those costume films that would have looked even more ravishing in technicolor.
As for any further comment on the film, here's what I wrote in a recent article on the career of PAULETTE GODDARD:
"When Paramount failed to make a successful bid for 'Forever Amber', they decided to make their own costume drama about a poor wench from 18th century London who rises from guttersnipe to society woman. Paulette gives undoubtedly one of her best performances in a lavish period film that should have been in color. The N.Y. Times noted: 'Paulette Goddard has worked up blazing temperament to go with her ravishing beauty in the title role. If she is less fetching as a late 18th century duchess, it is because the script runs thin on humor and drama. In any case, she gives the work the correct touch of wry romanticism.'"
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