Keep Your Powder Dry (1945)A disparate group of women try to adjust to their new lives after enlisting in the Womens Army Corps. Director:Edward Buzzell |
|
| 0Share... |
Keep Your Powder Dry (1945)A disparate group of women try to adjust to their new lives after enlisting in the Womens Army Corps. Director:Edward Buzzell |
|
| 0Share... |
| Cast overview, first billed only: | |||
| Lana Turner | ... |
Valerie Parks
|
|
| Laraine Day | ... |
Leigh Rand
|
|
|
|
Susan Peters | ... |
Ann Darrison
|
| Agnes Moorehead | ... |
Lieut. Colonel Spottiswoode
|
|
|
|
Bill Johnson | ... |
Captain Bill Barclay
|
| Natalie Schafer | ... |
Harriet Corwin
|
|
|
|
Lee Patrick | ... |
Gladys Hopkins
|
|
|
Jess Barker | ... |
Junior Vanderheusen
|
| June Lockhart | ... |
Sarah Swanson
|
|
|
|
Marta Linden | ... |
Captain Sanders
|
|
|
Tim Murdock | ... |
Captain Joseph Mannering
|
|
|
Henry O'Neill | ... |
Major General Lee Rand
|
|
|
Mary Lord | ... |
Mary
|
|
|
Sondra Rodgers | ... |
WAC Hodgekins
|
|
|
Marjorie Davies | ... |
WAC Polhemus
|
A disparate group of women try to adjust to their new lives after enlisting in the Womens Army Corps.
The unlikely prospect of anyone who looks like Lana Turner giving up her comfy civilian life to wear an army uniform is the hardest thing to swallow about this service film about three women from different walks of life who learn to become army buddies. Turner, of course, is given the glamour treatment and must have made hundreds of girls think they would look terrific in khaki.
Nevertheless, it's an enjoyable enough item sparked by some very competent performances by the mostly female cast. It's the feminine prototype of countless serviceman films produced during the war years of World War II, given non-serious treatment with a story centering on three new WAC recruits. Laraine Day plays an army brat, a girl who constantly flaunts her superiority over the other recruits and for most of the film engages in a tug of war with Turner. While Turner was given the full glamour treatment, Laraine Day succeeded in playing her unsympathetic role to the hilt, for the first time showing a harder edge to her screen personality. The film is enjoyable fluff, with good work by Susan Peters and Agnes Moorehead.
My article on Laraine Day appears in the Spring 2001 issue of FILMS OF THE GOLDEN AGE--and one on Lana Turner is due for publication at a later date.