| Photos (See all 19 | slideshow) | Videos (see all 3) |
| Nikolai Cherkasov | ... | Czar Ivan IV | |
| Lyudmila Tselikovskaya | ... | Czarina Anastasia Romanovna | |
| Serafima Birman | ... | Boyarina Efrosinia Staritskaya | |
| Mikhail Nazvanov | ... | Prince Andrei Kurbsky | |
| Mikhail Zharov | ... | Czar's Guard Malyuta Skuratov | |
| Amvrosi Buchma | ... | Czar's Guard Aleksei Basmanov | |
| Mikhail Kuznetsov | ... | Fyodor Basmanov | |
| Pavel Kadochnikov | ... | Vladimir Andreyevich Staritsky | |
| Andrei Abrikosov | ... | Boyar Fyodor Kolychev | |
| Aleksandr Mgebrov | ... | Novgorod's Archbishop Pimen | |
| Maksim Mikhaylov | ... | Archdeacon | |
| Vsevolod Pudovkin | ... | Nikola, Simpleton Beggar | |
| rest of cast listed alphabetically: | |||
| Pavel Massalsky | ... | Sigismond - King of Poland | |
| Sergei Stolyarov | |||
| Valentina Kuznetsova | ... | Smiling Woman in the Church (uncredited) | |
| Aleksandr Rumnyov | ... | The Stranger (uncredited) | |
| Semyon Timoshenko | ... | Kaspar von Oldenbock, Livonian ambassador (uncredited) | |
Directed by | |||
| Sergei M. Eisenstein | (as Sergei Eisenstein) | ||
Writing credits(in alphabetical order) | ||
| Sergei M. Eisenstein | (as Sergei Eisenstein) | |
Produced by | |||
| Sergei M. Eisenstein | .... | producer (uncredited) | |
Original Music by | |||
| Sergei Prokofiev | |||
Film Editing by | |||
| Sergei M. Eisenstein | (as Sergei Eizenshtein) | ||
Production Design by | |||
| Iosif Shpinel | (as I. Shpinel) | ||
Art Direction by | |||
| Sergei M. Eisenstein | |||
Costume Design by | |||
| Leonid Naumov | (as L. Naumov) | ||
| Nadezhda Buzina | (uncredited) | ||
Makeup Department | |||
| Vasili Goryunov | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| I. Bir | .... | assistant director | |
| B. Bunayev | .... | assistant director | |
| Valentina Kuznetsova | .... | assistant director | |
Sound Department | |||
| Vladimir Bogdankevich | .... | sound (as V. Bogdankevich) | |
| Boris Volsky | .... | sound (as B. Volsky) | |
Camera and Electrical Department | |||
| Viktor Dombrovsky | .... | photographer: second unit | |
| Andrei Moskvin | .... | cinematographer: interior scenes | |
| Eduard Tisse | .... | cinematographer: exterior scenes | |
Editorial Department | |||
| Esfir Tobak | .... | associate editor | |
Music Department | |||
| Vladimir Lugovskoi | .... | lyricist | |
| Igor Lukovsky | .... | composer: songs | |
| Abram Stasevich | .... | conductor | |
Other crew | |||
| Wolfgang Staudte | .... | German version | |
| Recent Posts (updated daily) | User |
|---|---|
| Best Eisenstein film? | belgamino |
| Ivan the Terrible and Fantasia | Goldmund1710 |
| English Speaking Remake | themistofthisabyss |
| One of the Masterworks | meldada |
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| Ivan the Terrible, Part II | Alexander Nevsky | The Scarlet Empress | Andrei Rublev | The Deluge |
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| Full cast and crew | Company credits | External reviews |
| IMDb Biography section | IMDb Soviet Union section |
Ivan the Terrible, Parts One and Two are films when combined) are in the top ten films of all time, and are of enormous genius, but because of this are not easy to digest. The story of the tortured Ivan the Terrible, first Czar of Russia, from boyhood to near the end of his czarhood, it was filmed with extravagated acting, and each scene having multiple symbolic interpretations. For example, all the main characters or groups of characters are portrayed with the characteristics of animals, Ivan the Terrible being a bird. The cinematography is brilliant, and strangely beautiful, relying on parallels, and close ups of the characters (this is among the first films to have this technique, now one of the most common cinematography techniques). Because this film is such a classic, it will make watchers review it, and think on the film itself. As such, it is not "light" watching. It is most definitely one of the greatest films of all time, and is worth the time without question. Do not be held back by the black and white or that it is in Russian. Also, watch both Part One, and Part Two, they were meant to work off each other. The DVD contains what remains of the incomplete Part Three, which the director Sergei Ensenstein did not finish. When told by phone that Stalin would not allow for Part Two to be distributed in Russia and be vaulted due to it's anti-Communistic implications, Ensenstien hung up the phone, and promptly died by heart attack, leaving a trilogy without its ending.