7.6/10
7,160
53 user 34 critic

Ivan the Terrible, Part I (1945)

Ivan Groznyy (original title)
Not Rated | | Biography, Drama, History | 8 March 1947 (USA)
During the early part of his reign, Ivan the Terrible faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people.

Director:

(as Sergei Eisenstein)

Writer:

(as Sergei Eisenstein)
Reviews

Watch Now

From $3.99 (SD) on Amazon Video

ON DISC
2 wins. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Biography | History
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

As Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate their Tsar.

Director: Sergei M. Eisenstein
Stars: Nikolay Cherkasov, Serafima Birman, Pavel Kadochnikov
Action | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

The story of how a great Russian prince led a ragtag army to battle an invading force of Teutonic Knights.

Directors: Sergei M. Eisenstein, Dmitriy Vasilev
Stars: Nikolay Cherkasov, Nikolai Okhlopkov, Andrei Abrikosov
Drama | History
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A dramatized account of a great Russian naval mutiny and a resulting street demonstration which brought on a police massacre.

Director: Sergei M. Eisenstein
Stars: Aleksandr Antonov, Vladimir Barsky, Grigori Aleksandrov
Drama | History
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »

Directors: Grigori Aleksandrov, Sergei M. Eisenstein
Stars: Boris Livanov, Nikolay Popov, Vasili Nikandrov
Stachka (1925)
Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A group of oppressed factory workers go on strike in pre-revolutionary Russia.

Director: Sergei M. Eisenstein
Stars: Grigori Aleksandrov, Maksim Shtraukh, Mikhail Gomorov
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  

In 1930, a group of three Russians - Sergei Eisenstein, Grigori Alexandrov, and Eduard Tisse - began an ambitious film in Mexico. A year later the backers halted the project before filming was complete.

Director: Sergei M. Eisenstein
Documentary | Music
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

A man travels around a city with a camera slung over his shoulder, documenting urban life with dazzling invention.

Director: Dziga Vertov
Stars: Mikhail Kaufman
Documentary
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

A documentary about the classic 'Texas Chainsaw Massacre' film, including interviews with Gunnar Hansen (LEATHERFACE), Edwin Neal (THE HITCHHIKER), John Dugan (GRANDPA) and Jim Seidow (OLD MAN).

Director: Brad Shellady
Stars: John Dugan, Jim Siedow, Edwin Neal
Zemlya (1930)
Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

In the peaceful countryside, Vassily opposes the rich kulaks over the coming of collective farming.

Director: Aleksandr Dovzhenko
Stars: Stepan Shkurat, Semyon Svashenko, Yuliya Solntseva
Drama | History
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl.

Director: Sergei M. Eisenstein
Stars: Martín Hernández, Isabel Villaseñor, Félix Balderas
Documentary | Drama | Western
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Eisenstein shows us Mexico in this movie, its history and its culture. He believes, that Mexico can become a modern state.

Director: Sergei M. Eisenstein
Stars: Sergey Bondarchuk, Grigori Aleksandrov
Short | Biography | Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  
Director: Sergei M. Eisenstein
Stars: Nikolay Cherkasov, Mikhail Romm, Oleg Zhakov
Edit

Cast

Cast overview, first billed only:
...
Lyudmila Tselikovskaya ...
Serafima Birman ...
Mikhail Nazvanov ...
Mikhail Zharov ...
Amvrosi Buchma ...
Mikhail Kuznetsov ...
...
Andrei Abrikosov ...
Aleksandr Mgebrov ...
Maksim Mikhaylov ...
Vladimir Balashov ...
Piotr Volynetz
...
Nikola, Simpleton Beggar
Semyon Timoshenko ...
Kaspar von Oldenbock, Livonian ambassador
Aleksandr Rumnyov ...
The Stranger
Edit

Storyline

In 1547, Ivan IV (1530-1584), archduke of Moscow, crowns himself Tsar of Russia and sets about reclaiming lost Russian territory. In scenes of his coronation, his wedding to Anastasia, his campaign against the Tartars in Kazan, his illness when all think he will die, recovery, campaigns in the Baltic and Crimea, self-imposed exile in Alexandrov, and the petition of Muscovites that he return, his enemies among the boyars threaten his success. Chief among them are his aunt, who wants to advance the fortunes of her son, a simpleton, and Kurbsky, a warrior prince who wants both power and the hand of Anastasia. Ivan deftly plays to the people to consolidate his power. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


Certificate:

Not Rated | See all certifications »
Edit

Details

Country:

Language:

Release Date:

8 March 1947 (USA)  »

Also Known As:

Ivan the Terrible, Part I  »

Filming Locations:


Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Peter Weller drew his inspiration for the movement of Robocop (1987) from Nikolay Cherkasov's performance of Ivan the Terrible (1945). See more »

Goofs

Amount of coins in the bowls that are showered over Ivan at the end of the coronation scene. See more »

Connections

Referenced in Le fantôme d'Henri Langlois (2004) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Stalinist Shakespeare
24 July 2005 | by (Rio de Janeiro, Brazil) – See all my reviews

If Alexander Nevsky was a filmed opera, this one, the first part of Eisenstein's incomplete trilogy about the title character, looks more like a Stalinist version of a Shakespere play, with a lot of conspiracy and characters so desirous for power that are willing to do whatever it takes, but manichaeist and with almost undisguised propaganda of the infamous Russian dictator. Exactly for being theatrical, it is too formal, but it is so intense that it is impossible to be indifferent, the visual composition is extraordinary, using very well the light-and-shade game typical of the German Expressionism, the alternation between very open shots and close ups, and very rich costumes and set decoration. In the end, although it is not perfect, is a remarkable film that deserves all the praise it received.


8 of 9 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?