| Wendy Hiller | ... | Joan Webster | |
| Roger Livesey | ... | Torquil MacNeil | |
| Pamela Brown | ... | Catriona | |
| Finlay Currie | ... | Ruairidh Mhór | |
| George Carney | ... | Mr. Webster | |
| Nancy Price | ... | Mrs. Crozier | |
| Catherine Lacey | ... | Mrs. Robinson | |
| Jean Cadell | ... | Postmistress | |
| John Laurie | ... | John Campbell | |
| Valentine Dyall | ... | Mr. Robinson | |
| Norman Shelley | ... | Sir Robert Bellinger (on radio telephone) (voice) | |
| Margot Fitzsimons | ... | Bridie | |
| Murdo Morrison | ... | Kenny | |
| C.W.R. Knight | ... | Colonel Barnstaple (as Captain C.W.R. Knight F.Z.S.) | |
| Walter Hudd | ... | Hunter | |
| Ian Sadler | ... | Iain | |
| Donald Strachan | ... | Shepherd | |
| John Rae | ... | Old Shepherd | |
| Duncan McIntyre | ... | His Son | |
| Ivy Milton | ... | Peigi | |
| Anthony Eustrel | ... | Hooper (as Antony Eustrel) | |
| Petula Clark | ... | Cheril | |
| Alec Faversham | ... | Martin | |
| Herbert Lomas | ... | Mr. Campbell | |
| Kitty Kirwan | ... | Mrs. Campbell | |
| Graham Moffatt | ... | R.A.F. Sergeant | |
| Boyd Steven | ... | Singer in the Céilidh | |
| Maxwell Kennedy | ... | Singer in the Céilidh | |
| Jean Houston | ... | Singer in the Céilidh | |
| Arthur Chesney | ... | Harmonica Player | |
| Mr. Ramshaw | ... | Torquil, the Eagle | |
| rest of cast listed alphabetically: | |||
| Duncan MacKechnie | ... | Captain 'Lochinvar' (as Captain Duncan MacKechnie) | |
| Erik | ... | Spaniel (uncredited) | |
| Neil MacKechnie | ... | Driver of Bus to Tobermory (uncredited) | |
| Malcolm MacKellaig | ... | David MacBrayn's Agent at Oban / Dancer at the Ceilidh (uncredited) | |
| Spangle | ... | Spaniel (uncredited) | |
Directed by | |||
| Michael Powell | |||
| Emeric Pressburger | |||
Writing credits | ||
| Michael Powell | (written by) and | |
| Emeric Pressburger | (written by) | |
Produced by | |||
| George R. Busby | .... | assistant producer (as George Busby) | |
| Michael Powell | .... | producer | |
| Emeric Pressburger | .... | producer | |
Original Music by | |||
| Allan Gray | |||
Cinematography by | |||
| Erwin Hillier | (photographed by) (as Erwin Hiller) | ||
Film Editing by | |||
| John Seabourne Sr. | (as John Seabourne) | ||
Casting by | |||
| Pat MacDonnell | (uncredited) | ||
| Adele Raymond | (uncredited) | ||
Production Design by | |||
| Alfred Junge | |||
Art Direction by | |||
| Alfred Junge | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| John Tunstall | .... | assistant director | |
| Bill Herlihy | .... | second assistant director (uncredited) | |
| Parry Jones Jr. | .... | third assistant director (uncredited) | |
Art Department | |||
| Harold Hurdell | .... | draughtsman (uncredited) | |
| William Kellner | .... | draughtsman (uncredited) | |
| David Rawnsley | .... | tank constructor (uncredited) | |
| Ward Richards | .... | assistant art director (uncredited) | |
| Alfred Roberts | .... | scenic artist (uncredited) | |
| Elliot Scott | .... | draughtsman (uncredited) | |
Sound Department | |||
| C.C. Stevens | .... | recorded by (as C.C.Stevens) | |
| T. Bagley | .... | sound (uncredited) | |
| Peter Davies | .... | dubbing sound camera (uncredited) | |
| Roy Day | .... | sound maintenance: exteriors (uncredited) | |
| Gordon K. McCallum | .... | sound (uncredited) | |
| Fred Ryan | .... | assistant boom operator (uncredited) | |
Special Effects by | |||
| Henry Harris | .... | special effects | |
| George Blackwell | .... | additional special effects (uncredited) | |
Visual Effects by | |||
| W. Percy Day | .... | matte painter (uncredited) | |
| Charles Staffell | .... | back projection (uncredited) | |
Camera and Electrical Department | |||
| Cecil Cooney | .... | camera operator | |
| Eric Besche | .... | focus puller (uncredited) | |
| Jim Body | .... | focus puller (uncredited) | |
| Fred Daniels | .... | still photographer: portraits (uncredited) | |
| Max Rosher | .... | still photographer (uncredited) | |
Editorial Department | |||
| Sidney Hayers | .... | second assistant editor (uncredited) | |
| Jim Pople | .... | second assistant editor (uncredited) | |
Music Department | |||
| Walter Goehr | .... | conductor | |
| Robert Farnon | .... | music arranger: choral music (uncredited) | |
Transportation Department | |||
| Ian Mackenzie | .... | transportation: diesel motorboat (uncredited) | |
Other crew | |||
| Michael Powell | .... | presenter | |
| Emeric Pressburger | .... | presenter | |
| Hugh S. Robertson | .... | principal: The Glasgow Orpheus Choir (as Sir Hugh Roberton) | |
| Paddy Arnold | .... | continuity (uncredited) | |
| C.W.R. Knight | .... | falconry advisor (uncredited) | |
| Vivienne Knight | .... | publicist (uncredited) | |
| Bill Paton | .... | assistant: Mr Powell (uncredited) | |
| Jimmy Robb | .... | catering services: rabbits for the eagle (uncredited) | |
Thanks | |||
| John Laurie | .... | we gratefully acknowledge our debt to in the Céilidh Sequences | |
| Malcolm MacKellaig | .... | we gratefully acknowledge our debt to as Gaelic Adviser | |
| Ian Mackenzie | .... | we gratefully acknowledge our debt to (as Ian McKenzie of Iona) | |
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| Random Harvest | Australia | Giant | Munich | The Edge of the World |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section |
Two things, though, you should watch for:
(1) Our first glimpse of Scotland comes as part of the heroine's queer dream on the train: we see a series of friendly rounded hills, all made out of tartan. It's a lovely image. It's also our first hint that our heroine has even the tiniest bit of romanticism about her. It later takes every force of man and nature in the real Scotland to bring it out.
(2) The locals she stays with are a nice bunch. They're not cloyingly sweet; but Powell and Pressburger don't present us with insularity and narrow-mindedness as if such traits are meant to be endearing, in the way that so many hymns of praise to small communities do. Anyway: watch for the cameo given to Petula Clark, that young girl with glasses. She only gets a few lines, but it's a great part.
This is only the second Powell/Pressburger film I've seen (and only the fourth film of Powell's). I'm impressed. Are they all this good?