Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr Falke. Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks and every kind of ... See full summary »
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will marry the wealthy middle-aged industrial Robert Bellinger in Kiloran island, in the Hebrides Islands, Scotland. She travels from Manchester to the island of Mull, where she stays trapped due to the windy weather. While in the island, she meets Torquil McNeil and as the days go by they fall in love with each other. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In 1947 Emeric Pressburger met the head of the script department at Paramount who told Emeric that they used 'I Know Where I'm Going!' (1945) as an example of the perfect screenplay which was shown to any writers stuck for inspiration or who needed a lesson in screen writing. See more »
In the opening credits, as the factory gate swings shut the top bar on it is partially obscured by the hanging miniature that adds another floor to the factory - which is really the front offices of Denham Studios. See more »
If I could take only one movie with me to a desert island, this would be it. Wendy Hiller and Roger Livesey are so vibrant and every scene is a joy to watch.
Part of the chemistry is that Hiller is assertive and on top of everything and Livesey is more vulnerable and searching -- she resists him and he reaches out to her -- I think of Virginia Woolf's line about how the sexiest thing is if a woman is "man-womanly" and a man is "woman-manly."
My favorite moment comes early on, when Hiller says, about the eccentric colonel, "He's an odd one, isn't he," and Livesey responds, "Who isn't." There's so much feeling and humanity in how he says this -- so much depth -- I fall in love with his character and this movie every time.
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