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The House I Live In (1945)

 -  Short | Drama | Music  -  9 November 1945 (USA)
6.7
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Ratings: 6.7/10 from 314 users  
Reviews: 10 user | 1 critic

Frank Sinatra teaches a group of young boys a lesson in religious tolerance.

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(uncredited)

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Title: The House I Live In (1945)

The House I Live In (1945) on IMDb 6.7/10

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Cast

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Storyline

A young Frank Sinatra is in the studio with a full orchestra. He records a take of "If You Are But a Dream," then breaks for a smoke. From the studio, he steps into an alley where he sees nearly a dozen kids chasing one smaller boy. Frank stops them, asks why, and they tell him it's because of the boy's religion. So Frank asks them if they're Nazis and explains a few things about America, blood banks, World War II, and teamwork. Then he sings "The House I Live In" for them. Off the lads scamper, and the kid Frank's saved gives him a look of gratitude. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Short | Drama | Music

Certificate:

Approved
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Details

Country:

Language:

Release Date:

9 November 1945 (USA)  »

Also Known As:

Éste es mi hogar  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Referenced in Sinatra, a Song for the FBI (2007) See more »

Soundtracks

The House I Live In
Music by Earl Robinson
Words by Lewis Allan
Performed by Frank Sinatra (uncredited)
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User Reviews

 
THE HOUSE I LIVE IN {Short} (Mervyn LeRoy {uncredited}, 1945) ***
28 February 2014 | by (Naxxar, Malta) – See all my reviews

This Honorary Academy Award and Golden Globe-winning one-reeler is renowned for the participation of Frank Sinatra (then still at the beginning of his prolific and varied career) in both his musical and acting guises; he appears as himself recording a new song and then running into a number of children bullying a Jewish boy while taking a cigarette break. This leads him to lecturing them on tolerance by also crooning the title song: curiously enough, the film-makers being still in fervent anti-Japanese wartime mood (is that not in itself a racist attitude?!), he uses as example of different religious groups working in unison towards a common goal the case of the multi-ethnic crew of an Allied aircraft bombing an enemy submarine! That said, it is nicely handled all the way and never quite as sappy as it could have been – with the youths' response to the star's influence developing into a kind of adulation in much the same way The Dead End Kids did at the molding of James Cagney in ANGELS WITH DIRTY FACES (1938)...but, of course, Sinatra here proves a force for decency and understanding as opposed to encouraging truancy! Ironically, the screenplay was penned by Albert Maltz – soon to be one of "The Hollywood Ten", industry professionals that were infamously imprisoned for refusing to retract their presumed Communist affiliations!


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