A serial killer named Shin-Hyun gives himself up to police. He confesses to committing a series of particularly horrifying murders of exclusively female victims. He is imprisoned, awaiting ... See full summary »
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A hitch-hiking stranger manages a lift from a young woman into the town he's destined for, and she's from. Both land up in jail, twice, as the small town and its leading family slowly unravel the in-plain-sight mystery behind this man.
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
Lowery plays Tim Scott, a man running from his past. Previously, he was working as a "high man" when an accident occurred resulting in a terrible fall and the death of a co-worker. Now Lowery drifts from small job to small job. By chance he meets two women (Phyllis Brooks & Mary Treen) who are setting up a lunch bar at a big building project. The three have a minor brush with the law which results in all of them spending the night behind bars. All three are rescued from the hoosegow by Lowery's former boss (Roger Pryor), who just happens to be a foreman on the building project where Brooks & Treen are setting up their business.
Pryor convinces Lowery to return to work for him, but not at his old job, this time working on the ground. The rest of the film deals with the romance between Lowery and Brooks, and Lowery facing his demons and returning to his old job as a "high man".
If you have watched and enjoyed other Pine Thomas films, I'm sure this one will be no different. It's a little slow in spots. The romantic subplot wasn't interesting to me and took up far too much time. Typical for the Pine Thomas films is that they lack a little flare and zest. And although there is actually location shooting this film has a ton of rear screen projection shots. In fact it may set some sort of record for rear screen projection shots used.
Ultimately, a fine cast has trouble overcoming a so-so script and low production values.
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