Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things ... See full summary »
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's ... See full summary »
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with ... See full summary »
Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in boot camp. To their dismay, the company's drill instructor is none other than the cop... See full summary »
Two dumb soda jerks dream of writing radio mysteries. When they try to pitch an idea at a radio station, they end up in the middle of a real murder when the station owner is killed during a... See full summary »
A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
The main attraction in Here Come the Coeds is seeing Lou Costello in drag during a girl's college basketball game. One of the players is injured and he substitutes. When he's conked on the head he develops amnesia and then Abbott and Peggy Ryan tell him he's Daisy Dimple the world's greatest female basketball player and he proceeds to act the part.
Some here have said that Costello was hardly convincing in drag. But I have to say I've seen drag performers a whole lot worse.
Abbott and Costello are paid dancing escorts at a dime a dance palace. Why anyone would pay to dance with Costello is anyone's guess. But they get fired and land jobs at a girl's college where Abbott's sister, June Vincent, enrolls due to a publicity gimmick Abbott thought up.
There was some other comment that this was the only time any female, Peggy Ryan, showed an interest romantically in Lou. Not true at all. In previous films Martha Raye and Joan Davis did. But this was the only film Costello got to do a song and dance with a female partner. He did do an outrageous waltz with Joan Davis in Hold That Ghost, but there was no singing.
Peggy Ryan was doing a whole lot of musicals with Donald O'Connor at the time at Universal. She had a nice fresh appeal and partnered well with O'Connor. Working with Costello must have been something different.
Donald Cook as the Dean of Students is paired with June Vincent. As they are a pretty sappy pair fortunately there's not much film wasted on them. Charles Dingle as the head of the board of trustees fares much better. He's his usual pompous stuffed shirt, a part he played like no one else in film history. I wish they'd given him some comedy bits with the boys.
Lon Chaney, Jr. plays the head caretaker and the nemesis of the boys. He gets right in with the comedy and serves as a great foil for Costello, especially in the wrestling match sequence. It's a ripoff of what they'd done in Buck Privates in a boxing match, but who cares, it's still a very funny sequence.
I saw just about all of Abbott and Costello's films as a lad. WPIX television in New York used to run them constantly on Sunday morning. For some reason Here Come the Coeds wasn't among them, I only got to see it a few years ago. But it was worth the wait.
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