London, just before the outbreak of World War II. George Harvey Bone, a failure in life - is in love with Netta Longdon. His mind is split in two directions: one wants to marry her, the other side wants to murder her. Which side will win?
An RAF squadron is brought down over occupied France. The flyers get to Paris in spite of the fact that the youngest, Baby, is injured. He must be hidden and his wounds cared for. The Gestapo has already issued orders for their arrest.
Tamara, a Roman prostitute, tries to kill herself throwing herself out of the window of the licensed brothel she works in. While she is being taken to hospital the other girls learn that, ... See full summary »
Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of... See full summary »
George Harvey Bone is a composer in early 20th century London, who is under stress because he is writing a piano concerto. Due to this stress, he gets black outs when ever he hears dissonances. When he finds himself after the black out in a different quarter of the town, he returns home, to read in the paper that somebody in that quarter was murdered. Asking help from a doctor at Scotland Yard he is assured that he has nothing to do with it, but he is advised to cut back in his work and get some relaxation like other, ordinary people. At a cheap musical he meets Netta, a singer, who inspires him for a new motive for his concerto. But Netta discovers that this motive could also be used as a song for her. The song gets sold, and she hangs around George to get more songs out of him. George believes that Netta is in love with him, and gets in an argument with his girlfriend Barbara, the daughter of Lord Henry, who wants the concerto for one of his soirées. George has another black out, ... Written by
Stephan Eichenberg <email@example.com>
In the book "A Heart at Fire's Center: The Life and Music of Bernard Herrmann", John Brahm said like this about the concerto scene: "For a long time, I had been dissatisfied with the photography of music in films. Musicians themselves are uninteresting; it is what they play that should be photographed. I myself could not read a note of music, but when Herrmann came and saw the finished film he could not believe it. I had photographed his music." See more »
The date of the action is 1899 but a theatre programme is dated 1903. See more »
Look! It's old Ogilby's place!
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Opening credits: This is the story of George Harvey Bone who resided at number 12 Hangover Square, London SW in the early part of the twentieth century. The British Catalogue of Music lists him as a distinguished composer... See more »
HANGOVER SQUARE was Laird Cregar's last film (he died at 28) and he turns in a fine performance. You can see how haggard he looks from his 100+ pound weight lose which happened before and during the filming of this movie. His appearance and exhaustion fit well with the role of George Bone though. The scene where he carries the body to the Guy Fawkes bonfire and places it with all the mannequins is very memorable as is the ending. The film score by Bernard Hermann is excellent and the concerto Bone "writes" is believable and tense. Cregar even plays the piano very well. It is too bad he died so young after only 5 years making movies as Hollywood lost a fine talent that was just starting out. John Brahms does a good job directing the atmospheric HANGOVER SQUARE too.
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