This Broadway revue is about two love affairs. The romance between the comedienne Joan Mason and Jack Evans of Boston is easily disturbed by Jack's cynical sister, Clara Belle Evans, who is... See full summary »
The story of Cardinal Josef Mindzhenty, a Roman Catholic cardinal from Hungary who spoke out against both the Nazi occupation of his country during World War II and the Communist regime ... See full summary »
Felix E. Feist
Opening with a credit line that reads "Entire production conceived, created and directed by George White," a film evolves where the only plot line is a thin backstage romance between Jimmy ... See full summary »
The life story of a famous race horse, told primarily by a narrator in a semi-documentary fashion, with more than a little bit of revisionism. It begins with the colt's wobbly-legged days, ... See full summary »
Joe Riley is a boxing referee whose life-code is the same as the sporting rules of the prizefight ring. Two Golden Glove (a tournament for amateur prizefighters) contestants Nick Martel, a ... See full summary »
A wealthy woman's secretary, fearing that she will be blamed if her employer's jewelry is stolen, hires the Falcon as guardian. The Falcon is blamed when the jewels are stolen and murders ... See full summary »
This Broadway revue is about two love affairs. The romance between the comedienne Joan Mason and Jack Evans of Boston is easily disturbed by Jack's cynical sister, Clara Belle Evans, who is against their relationship. The romance between the wealthy British Jill Martin and Tom McGrath, the assistant to the impresario George White Brodway is a love hate relationship. Gene Krupa and his band keep, together with the virtuoso organist Ethel Smith, both couples dancing a lot. Written by
I gave this film "5" out of "10", but there's a caveat.
The movie itself might be described anywhere along the continuim, from "Awful" to "Excellent", depending on what the viewer is looking for. My rating is purely arbitrary.
It's total escapist fare, one of hundreds of films ground out during WWII to divert the American people from the horrors of war for an hour or two, and it must have done its job. It's certainly diverting.
But what it is, more than anything else, is a time capsule of the fashions, manners and mores of a particular time and place. It is the year 1945 preserved in amber, and it was completely dated by 1947.
From the showgirls in the musical numbers - pompadoured, lacquered and outrageously costumed in what looks like whatever the wardrobe department had left over, to the irrepressible Joan Davis dressed to the nines and beyond in shoulder pads, sequins and hair, hair, hair - this picture is a never-ending parade of "What Not to Wear", '40's style, and it's a hoot.
Add a couple of silly romantic sub-plots and the slinky Jane Greer as the backstage back-stabber, and you have the whole package. There's even leading man Phillip Terry - briefly married to Joan Crawford in real life, and the scene-stealing Margaret Hamilton thrown in for good measure. And believe me, anyone who can steal a scene from Joan Davis and Jack Haley in their prime is guilty of grand theft thespeus.
So there you have it. This one is not likely to show up on AFI's list of anything. If you're looking for a Golden Age musical, this isn't it. But if you're in the mood to spend a little time watching how your grandparents did it, this one's for you.
2 of 4 people found this review helpful.
Was this review helpful to you?