| John Wayne | ... | Duke Fergus | |
| Ann Dvorak | ... | Ann 'Flaxen' Tarry | |
| Joseph Schildkraut | ... | Boss Tito Morell | |
| William Frawley | ... | Wolf Wylie | |
| Virginia Grey | ... | Rita Dane | |
| Russell Hicks | ... | Cyrus Danver, Owner San Francisco Star | |
| Jack Norton | ... | Byline Conners, Reporter San Francisco Star | |
| Paul Fix | ... | Calico Jim | |
| Manart Kippen | ... | Dr. Gorman | |
| Eve Lynne | ... | Martha, Morell's Secretary | |
| Marc Lawrence | ... | Joe Disko, Gambler | |
| Butterfly McQueen | ... | Beulah, Flaxen's Maid | |
| Rex Lease | ... | Collingswood, headwaiter | |
| Hank Bell | ... | Hank, cabby | |
| Al Murphy | ... | Horseshoe Brown | |
| rest of cast listed alphabetically: | |||
| Eddie Acuff | ... | Smokey, the Train Engineer (uncredited) | |
| Doc Adams | ... | Barfly (uncredited) | |
| Melva Anstead | ... | Dancehall Girl (uncredited) | |
| George Boyce | ... | Specialty Dancer (uncredited) | |
| Roy Butler | ... | Telephone Man (uncredited) | |
| Dorothy Christy | ... | Mother Bronson (uncredited) | |
| Edmund Cobb | ... | Townsman (uncredited) | |
| Gino Corrado | ... | Waiter (uncredited) | |
| Kenne Duncan | ... | Gambler (uncredited) | |
| Joe Evans | ... | Specialty Dancer (uncredited) | |
| Jack Gargan | ... | Bartender (uncredited) | |
| Bud Geary | ... | Henchman (uncredited) | |
| Frank Hagney | ... | Morell Henchman (uncredited) | |
| William Halligan | ... | Tom Buckman (uncredited) | |
| Stuart Hamblen | ... | Jud McCone (uncredited) | |
| Chuck Hamilton | ... | Barfly (uncredited) | |
| Frank Jaquet | ... | Prominent Citizen (uncredited) | |
| Willie Keeler | ... | Barfly (uncredited) | |
| Patricia Knox | ... | Dancehall Girl (uncredited) | |
| Tom London | ... | Thompson, Townsman in Mob (uncredited) | |
| Adele Mara | ... | Marie (uncredited) | |
| Charles Marsh | ... | Speaker (uncredited) | |
| Frankie Marvin | ... | Cowboy (uncredited) | |
| Frank McCarroll | ... | Attendant (uncredited) | |
| Philo McCullough | ... | Bit Role (uncredited) | |
| Pat McKee | ... | Barfly (uncredited) | |
| Jack Mulhall | ... | Gambler (uncredited) | |
| William J. O'Brien | ... | Waiter (uncredited) | |
| Jack O'Shea | ... | Barnes, the Dice Table Croupier (uncredited) | |
| Bud Osborne | ... | Bartender (uncredited) | |
| Eddie Parker | ... | Pedestrian (uncredited) | |
| Victor Potel | ... | Train Fireman (uncredited) | |
| Bobbie Priest | ... | Bit (uncredited) | |
| Hugh Prosser | ... | Fred Mallen (uncredited) | |
| Beverly Reedy | ... | Dancehall Girl (uncredited) | |
| Joe Rickson | ... | Dealer (uncredited) | |
| Arlyn Roberts | ... | Dancehall Girl (uncredited) | |
| Hector Sarno | ... | Spectator at Dice Table (uncredited) | |
| Lee Shumway | ... | Casey (uncredited) | |
| Larry Steers | ... | Gambler (uncredited) | |
| Charles Sullivan | ... | Calico Jim's Bartender (uncredited) | |
| Emmett Vogan | ... | Gleason, Rita's Agent (uncredited) | |
| Bill Wolfe | ... | Barfly in White Suit (uncredited) | |
Directed by | |||
| Joseph Kane | |||
Writing credits | ||
| Borden Chase | (original screenplay) | |
| Prescott Chaplin | story | |
Produced by | |||
| Joseph Kane | .... | associate producer | |
Original Music by | |||
| R. Dale Butts | (uncredited) | ||
| Mort Glickman | (uncredited) | ||
Cinematography by | |||
| Robert De Grasse | (photography) (as Robert DeGrasse) | ||
Film Editing by | |||
| Richard L. Van Enger | |||
Art Direction by | |||
| Gano Chittenden | |||
Set Decoration by | |||
| Otto Siegel | |||
Costume Design by | |||
| Adele Palmer | |||
| Robert Ramsey | (uncredited) | ||
Makeup Department | |||
| Peggy Gray | .... | key hair stylist (uncredited) | |
| Bob Mark | .... | makeup supervisor (uncredited) | |
Production Management | |||
| Al Wilson | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Virgil Hart | .... | assistant director (uncredited) | |
Sound Department | |||
| Earl Crain Sr. | .... | sound | |
Special Effects by | |||
| Howard Lydecker | .... | special effects | |
| Theodore Lydecker | .... | special effects | |
Visual Effects by | |||
| Gordon Schaefer | .... | transparency projection shots (uncredited) | |
Stunts | |||
| Bud Geary | .... | stunts (uncredited) | |
| Chuck Hamilton | .... | stunts (uncredited) | |
| Eddie Parker | .... | stunts (uncredited) | |
| Bobbie Priest | .... | stunts (uncredited) | |
| Bud Wolfe | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Paul Guerin | .... | camera engineer (uncredited) | |
Music Department | |||
| R. Dale Butts | .... | orchestrator (as Dale Butts) | |
| Morton Scott | .... | musical director | |
| Joseph Dubin | .... | composer: additional music (uncredited) | |
| Charles Maxwell | .... | additional orchestrator (uncredited) | |
Other crew | |||
| Larry Ceballos | .... | dance director | |
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| Dakota | Dark Command | Bend of the River | The Old Corral | Rio Bravo |
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| Full cast and crew | Company credits | External reviews |
| IMDb Musical section | IMDb USA section |
Before watching Flame Of Barbary Coast I never read the description on the back cover of the DVD case. It mentions the San Francisco earthquake of 1906. Fortunately I was aware of some of the history of that earthquake, so I was picking up the clues given throughout the movie. All I cared about before watching the movie was that it was a western with John Wayne in it. The movie is a "late" western in that it takes place as the wild west had been tamed and the 20th Century was becoming an entirely different reality.
The plot was okay, but a little thin. A Montana rancher goes to the big city, finds himself played out as a sucker, and returns to conquer the same people who made a fool out of him. Duke Fergus (John Wayne) takes lessons from his professional gambler friend, Wolf Wylie (William Frawley), and ends up beating the professional gamblers in their own casinos. Even for John Wayne this is quite amazing. Added to that is his love interest in Flaxen (Ann Dvorak), known as "the Flame of the Barbary Coast", who apparently has teased virtually every powerful man in town. At the time of the story she is tied to Tito Morrell (Joseph Schildkraut), the most successful and notorious of the gambling house bosses.
I liked the way Joseph Schildkraut played the classy, but devious, casino owner, Tito Morrell. His character hinted at aristocratic old world lineage and his determination to maintain a level of sophistication despite his present reputation. Tito's criminal side is never shown, only implied. John Wayne's character, Duke, never came across as simple. He loved his modest environment at his ranch in Montana, but he had a business sense and some integrity. Ann Dvorak's Flaxen is the character that seems a bit odd. If she has such a reputation for being the unobtainable prize, why do so many still want her? She really does smile her way through everything, too. It would have been really nice if she got one of those famous John Wayne spankings.
Establishing a specific time was done gradually and then deliberately. The house Tito provides for Flaxen is definitely built in an elaborate turn of the century European-influenced style that would not have existed thirty years earlier. Upon arriving in San Francisco there were many electric lights. A bathroom with running water is shown. Eventually a specific date in January of 1906 is mentioned, and later it is mentioned that April of the same year has arrived. Although everyone is moving on foot or in a horse drawn carriage, an automobile appears in one scene. The time placement was subtle in the beginning and made perfectly clear as it became more important to the plot.
I expected the climax of the movie to be the famous San Francisco earthquake. There really were explosions and gas fires from ruptured natural gas lines. Firefighters are shown in the movie running out of water because of broken water mains just as the real firefighters did. It is even mentioned that looters would be shot, as they really were. The catalyst that brought about changes in San Francisco set up the final scenes for the main characters. The true nature of everyone is shown in a final showdown between Duke, Tito, and Flaxen.
I liked Flame Of Barbary Coast. My only complaint is that the movie makes the Barbary Coast seem to be the most important part of San Francisco, and it is the only part of the city that is shown. The sets were elaborate and the actors were good. It cannot be called a gangster movie even though it has crime bosses. Over all it was more of a drama than a western, but it was worth watching.