Twelve year old Jennifer is unhappy with her widowed mom's relationship with a family friend. Feeling lonely, she readily accepts the friendship of an adult man named Howie and joins the ... See full summary »
Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
A young bride who comes from a rich family has a hard time adjusting to life in a boarding house with other soldiers and their wives. Her spoiled ways cause resentment from the other wives ... See full summary »
Eric Stanton (Dana Andrews), thrown off a bus for not having the fare, begins to frequent a diner called "Pop's Eats" , whose main attraction is a beautiful waitress by the name of Stella seems disinterested in Eric, he decides if he had money she would pay attention to his advances. He marries June Mills ( Alice Faye ) for her money, and stella is mysteriously murdered. Even though June Learns of Eric's dishonest plans, she still loves him. It is with her support that he investigates the killing on his own, eventually discovering the shocking identity of the real killer. Written by
Marc Andreu <email@example.com>
Alice Faye, married to Phil Harris and raising two young daughters, then tiring after nearly a dozen years of hectic moving-making, and disappointed with the outcome of this release, chose to leave Twentieth Century-Fox before her contract expired. Eventually, she would return to work at the studio once, playing the mother role in a bland filming of Rodgers and Hammerstein's State Fair (1962). Originally, Miss Faye had turned down the band-singer part in the more satisfying 1945 version. See more »
Among the works listed on the church reader board for June Mills's upcoming organ recital are a Stabat Mater by Beethoven and a Requiem by Brahms. Beethoven never wrote a Stabat Mater, and the only Requiem by Brahms is a massive choral work, highly unlikely to be played as an organ solo. See more »
I'm not going.
Not going? What's wrong?
Nothing. You go ahead. I'll meet you.
But Eric - we need you for the advance publicity. San Francisco's a tough town on spooks.
Come on! hit 'em like the earthquake!
When I feel like it. I made it clear to you when I took this job. You can't tie me down. Cramps my style. I always work best when a certain feeling comes over me, and right now I haven't got it.
[under his breath]
Eric my boy, you're an artist. You have my sympathy. And a bus ...
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This neglected film noir gem by the great Otto Preminger is better and more poetic than Preminger's previous classic "Laura". For one thing, Preminger's fluid camera work and long takes here reach perfection, pointing them toward his mature long takes and objectivity in 1950s with such dazzling masterworks as "Where the Sidewalk Ends", "Angel Face", "Anatomy of a Murder". Each scene is shot and elaborated with precision, with minimum amount of edits to elucidate the emotions of the characters.
Also, Dana Andrews, with all his unique ambiguity and minimalism, turns in one of his finest performances ever; just a hint of his outstanding performance (and probably his best) in "Where the Sidewalk Ends". Andrews' co-stars Alice Faye and a sluttish Linda Darnell are great as well. The magnificent chiaroscuro photography by Joseph LaShelle has certain crispness and lucidity that is similar to Anthony Mann's "T-Men".
Some may find the second half of the film quaintly melodramatic and David Raksin's romantic score is admittedly less memorable than "Laura" but "Fallen Angel" deserves to be seen and viewed within its credentials.
The effect is haunting and breathtaking.
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