Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
It is a toss-up as to who is most displeased when Patrolman Moe Finkelstein is given the duty of guarding the German consulate ran by Karl Baumer; neither Moe nor Baumer are too happy with ... See full summary »
Lord Windermere appears to all -including to his young wife Margaret - as the perfect husband. But their happy marriage is placed at risk when Lord Windermere starts spending his afternoons... See full summary »
In 19th century Russia,the idealistic officer Chernov is appointed chief of the Imperial Guard by the Empress Catherine the Great and navigates between the diplomacy of Grand Chancellor Nicolai Liyitch and the plots of the generals.
Twelve year old Jennifer is unhappy with her widowed mom's relationship with a family friend. Feeling lonely, she readily accepts the friendship of an adult man named Howie and joins the ... See full summary »
Eric Stanton (Dana Andrews), thrown off a bus for not having the fare, begins to frequent a diner called "Pop's Eats" , whose main attraction is a beautiful waitress by the name of Stella seems disinterested in Eric, he decides if he had money she would pay attention to his advances. He marries June Mills ( Alice Faye ) for her money, and stella is mysteriously murdered. Even though June Learns of Eric's dishonest plans, she still loves him. It is with her support that he investigates the killing on his own, eventually discovering the shocking identity of the real killer. Written by
Marc Andreu <firstname.lastname@example.org>
Alice Faye, married to Phil Harris and raising two young daughters, then tiring after nearly a dozen years of hectic moving-making, and disappointed with the outcome of this release, chose to leave Twentieth Century-Fox before her contract expired. Eventually, she would return to work at the studio once, playing the mother role in a bland filming of Rodgers and Hammerstein's State Fair (1962). Originally, Miss Faye had turned down the band-singer part in the more satisfying 1945 version. See more »
Among the works listed on the church reader board for June Mills's upcoming organ recital are a Stabat Mater by Beethoven and a Requiem by Brahms. Beethoven never wrote a Stabat Mater, and the only Requiem by Brahms is a massive choral work, highly unlikely to be played as an organ solo. See more »
I need you, Eric.
You need me, right.
You're my husband, and I'm your wife.
Right out of a book, again.
Yes, out of a book: "We were born to tread the earth as angels, to seek out heaven this side of the sky. But they who race above shall stumble in the dark, and fall from grace."
Go on. Sounds good.
"Then love alone can make the fallen angel rise. For only two together can enter Paradise."
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There is so much to say about the way Otto Preminger directs a movie. His previous success, "Laura" (1944), was a blockbuster, but lacked the murky influence of film noir that was so popular during this time. Sure there was some film noir technique employed in "Laura", but not enough. However, "Laura" still holds it's own even by today's standards and the media, along with the marketing people, have done us all a favor (this time!!!) in keeping this classic alive and popular.
Needless to say, "Fallen Angel" redeems Preminger's ability to present a film in the classic noir of it's time and because of this is competitive with Billy Wilder's "Lost Weekend" (1945) and "Double Indemnity" (1944), both huge successes with audiences. But what about "Fallen Angel"?
Despite the cinematography and the super cast, "Fallen Angel" went to the chopping block via the critics. The critics rated this film as mediocre and audiences stayed away. Alice Faye, in her only dramatic role, left the movies in disgust partly because of what the critics did to this film. Why?
From beginning to end, the viewer is treated to some of the best cinematography that this art form had to offer. The way sluttish Linda Darnell is depicted before the camera is a treat for the eye and enhances her sexuality. The way Percy Kilbride is smitten with Darnell throughout the movie, up to the climax is an essential link to the continuity of the movie as well as with the novel by Marty Holland. The way Charles Bickford sits behind the lunch counter, slowly sipping his coffee sending a message to the viewer that something deep inside him is simmering, ready to explode. We all know that Bickford, along with Kilbride, Dana Andrews and Bruce Cabot all are victims to the whims of the dark Darnell.
And the way the blonde, good and virtuous Faye is contrasted with the dark, bad and selfish Darnell is more proof that this film should be marketed for the masses. The plot is strong, the camera work of Joseph LaShelle and, especially the film direction by Preminger rates this movie as one of the best of it's time.
Yes, this film rates up there with "Laura", "Double Indemnity" and "The Lost Weekend"; all three super classics from this era and available on VHS and DVD. Why not "Fallen Angel"?
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