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Fallen Angel (1945)

Approved  |   |  Crime, Film-Noir, Mystery  |  5 December 1945 (USA)
7.2
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Ratings: 7.2/10 from 2,708 users  
Reviews: 56 user | 33 critic

A slick con man arrives in a small town looking to make some money, but soon gets more than he bargained for.

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(screen play), (novel)
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Cast

Complete credited cast:
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Percy Kilbride ...
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Storyline

Eric Stanton (Dana Andrews), thrown off a bus for not having the fare, begins to frequent a diner called "Pop's Eats" , whose main attraction is a beautiful waitress by the name of Stella seems disinterested in Eric, he decides if he had money she would pay attention to his advances. He marries June Mills ( Alice Faye ) for her money, and stella is mysteriously murdered. Even though June Learns of Eric's dishonest plans, she still loves him. It is with her support that he investigates the killing on his own, eventually discovering the shocking identity of the real killer. Written by Marc Andreu <mandreu@mediapark.es>

Plot Summary | Plot Synopsis

Taglines:

The creator of "Laura" does it again! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

5 December 1945 (USA)  »

Also Known As:

¿Ángel o diablo?  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Alice Faye, married to Phil Harris and raising two young daughters, then tiring after nearly a dozen years of hectic moving-making, and disappointed with the outcome of this release, chose to leave Twentieth Century-Fox before her contract expired. Eventually, she would return to work at the studio once, playing the mother role in a bland filming of Rodgers and Hammerstein's State Fair (1962). Originally, Miss Faye had turned down the band-singer part in the more satisfying 1945 version. See more »

Goofs

Among the works listed on the church reader board for June Mills's upcoming organ recital are a Stabat Mater by Beethoven and a Requiem by Brahms. Beethoven never wrote a Stabat Mater, and the only Requiem by Brahms is a massive choral work, highly unlikely to be played as an organ solo. See more »

Quotes

June Mills: I need you, Eric.
Eric Stanton: [sarcastically] You need me, right.
June Mills: You're my husband, and I'm your wife.
Eric Stanton: Right out of a book, again.
June Mills: Yes, out of a book: "We were born to tread the earth as angels, to seek out heaven this side of the sky. But they who race above shall stumble in the dark, and fall from grace."
Eric Stanton: Go on. Sounds good.
June Mills: "Then love alone can make the fallen angel rise. For only two together can enter Paradise."
See more »


Soundtracks

Paducah
(uncredited)
Music by Harry Warren
Played during the scene in the San Francisco hotel bar
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User Reviews

 
Obsession before Vertigo
22 July 2005 | by (Van Buren, Arkansas) – See all my reviews

Otto Priminger was basking in the sun as a result of his classic film noir "Laura" when he followed up with this highly under-appreciated film. The key element is basically the same as in "Laura" and that key element is obsession with a beautiful but dangerous woman. The femme fatale of film noir is present at the creation of the genre, here embodied by Linda Darnell. Many men become obsessed with beautiful women who are not deserving of such adoration. In its perverted form obsession leads to stalking. In its most common form it leads to heartbreak and mental torture. It can also lead to murder. Why do men become obsessed with dangerous beautiful women? Ask your shrink for an analysis. Alfred Hitchcock made the best film on obsession with a beautiful woman, "Vertigo." Before "Vertigo," "Fallen Angel" was the best and is still one of the best. The acting is marvelous, especially Dana Andrews, Linda Darnell, and all those wonderful character actors that Otto Priminger hand picked for their roles. The weakest performance is by Alice Faye, but then she is out of her element and badly miscast, not at all a good choice for a film noir. Plus my understanding is that Priminger cut many of her key scenes to make more room for the machinations of Linda Darnell. The shadowy world of midnight rendezvous, dark tones of shades of rain, a diner called Pop's Eats, all make for a classic film noir for fans and non-fans as well.


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