A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
Eric Stanton (Dana Andrews), thrown off a bus for not having the fare, begins to frequent a diner called "Pop's Eats" , whose main attraction is a beautiful waitress by the name of Stella seems disinterested in Eric, he decides if he had money she would pay attention to his advances. He marries June Mills ( Alice Faye ) for her money, and stella is mysteriously murdered. Even though June Learns of Eric's dishonest plans, she still loves him. It is with her support that he investigates the killing on his own, eventually discovering the shocking identity of the real killer. Written by
Marc Andreu <firstname.lastname@example.org>
"Lux Radio Theater" broadcast a 60-minute CBS Radio adaptation of the movie on June 17, 1946 with Linda Darnell reprising her film role. See more »
Among the works listed on the church reader board for June Mills's upcoming organ recital are a Stabat Mater by Beethoven and a Requiem by Brahms. Beethoven never wrote a Stabat Mater, and the only Requiem by Brahms is a massive choral work, highly unlikely to be played as an organ solo. See more »
I need you, Eric.
You need me, right.
You're my husband, and I'm your wife.
Right out of a book, again.
Yes, out of a book: "We were born to tread the earth as angels, to seek out heaven this side of the sky. But they who race above shall stumble in the dark, and fall from grace."
Go on. Sounds good.
"Then love alone can make the fallen angel rise. For only two together can enter Paradise."
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This neglected film noir gem by the great Otto Preminger is better and more poetic than Preminger's previous classic "Laura". For one thing, Preminger's fluid camera work and long takes here reach perfection, pointing them toward his mature long takes and objectivity in 1950s with such dazzling masterworks as "Where the Sidewalk Ends", "Angel Face", "Anatomy of a Murder". Each scene is shot and elaborated with precision, with minimum amount of edits to elucidate the emotions of the characters.
Also, Dana Andrews, with all his unique ambiguity and minimalism, turns in one of his finest performances ever; just a hint of his outstanding performance (and probably his best) in "Where the Sidewalk Ends". Andrews' co-stars Alice Faye and a sluttish Linda Darnell are great as well. The magnificent chiaroscuro photography by Joseph LaShelle has certain crispness and lucidity that is similar to Anthony Mann's "T-Men".
Some may find the second half of the film quaintly melodramatic and David Raksin's romantic score is admittedly less memorable than "Laura" but "Fallen Angel" deserves to be seen and viewed within its credentials.
The effect is haunting and breathtaking.
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