Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
Two aging playboys are both after the same attractive young woman, but she fends them off by claiming that she plans to remain a virgin until her wedding night. Both men determine to find a way around her objections.
A young bride who comes from a rich family has a hard time adjusting to life in a boarding house with other soldiers and their wives. Her spoiled ways cause resentment from the other wives ... See full summary »
Eric Stanton (Dana Andrews), thrown off a bus for not having the fare, begins to frequent a diner called "Pop's Eats" , whose main attraction is a beautiful waitress by the name of Stella seems disinterested in Eric, he decides if he had money she would pay attention to his advances. He marries June Mills ( Alice Faye ) for her money, and stella is mysteriously murdered. Even though June Learns of Eric's dishonest plans, she still loves him. It is with her support that he investigates the killing on his own, eventually discovering the shocking identity of the real killer. Written by
Marc Andreu <email@example.com>
Among the works listed on the church reader board for June Mills's upcoming organ recital are a Stabat Mater by Beethoven and a Requiem by Brahms. Beethoven never wrote a Stabat Mater, and the only Requiem by Brahms is a massive choral work, highly unlikely to be played as an organ solo. See more »
[last lines, June is sitting in a car outside the diner]
[Eric looks over to June, she motions him to get into the car, he does]
[Eric nestles up to his wife]
[They drive off into the night]
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Preminger's follow-up to Laura quite interesting if flawed
Otto Preminger rarely gets credit for being one of the founding fathers of film noir; in addition to this film, there's of course Laura, and Angel Face, Where the Sidewalk Ends, the Thirteenth Letter, and other films with a heavy noir influence (Man with the Golden Arm). Fallen Angel's least interesting aspect (interestingly) is its murder plot. The tainted, ambiguous relationships that Dana Andrews forges when he drifts into a California coastal village make this film a dark study in romantic pathology. It also features Linda Darnell at her most sultry and mercenary; Alice Faye (her only appearance, I think, in the noir cycle); John Carradine; Charles Bickford (as a policeman with a past); Ann Revere (whom most of us think of as a tenement mom to John Garfield); and even Percy Kilbride before his Pa Kettle days. Andrews' very layered tension between rich good gal Faye and gold-digging bad girl Darnell keeps the viewer off balance all the way through.
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