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Fallen Angel (1945)

A slick con man arrives in a small town looking to make some money, but soon gets more than he bargained for.

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(screen play), (novel)
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Storyline

Eric Stanton (Dana Andrews), thrown off a bus for not having the fare, begins to frequent a diner called "Pop's Eats" , whose main attraction is a beautiful waitress by the name of Stella seems disinterested in Eric, he decides if he had money she would pay attention to his advances. He marries June Mills ( Alice Faye ) for her money, and Stella is mysteriously murdered. Even though June learns of Eric's dishonest plans, she still loves him. It is with her support that he investigates the killing on his own, eventually discovering the shocking identity of the real killer. Written by Marc Andreu <mandreu@mediapark.es>

Plot Summary | Plot Synopsis

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The creator of "Laura" does it again! See more »


Certificate:

Approved | See all certifications »
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Release Date:

20 March 1946 (Argentina)  »

Also Known As:

¿Ángel o diablo?  »

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Technical Specs

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(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

While on their date, Dana Andrews and Alice Faye exit a movie theater and walk past a Rexall Pharmacy. Beginning less than a year after the film was released, Faye would co-star on a weekly radio show with her husband Phil Harris, sponsored by Rexall. See more »

Goofs

Among the works listed on the church reader board for June Mills's upcoming organ recital are a Stabat Mater by Beethoven and a Requiem by Brahms. Beethoven never wrote a Stabat Mater, and the only Requiem by Brahms is a massive choral work, highly unlikely to be played as an organ solo. See more »

Quotes

Mark Judd: [Walking over to Stella] I knew you'd come back Stella.
Stella: [looks at him from her chair in disdain, rubbing her sore feet] Okay.
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Crazy Credits

The opening credits appear on the screen as a series of road signs seen through the windshield of a bus driving at night time. See more »


Soundtracks

Paducah
(uncredited)
Music by Harry Warren
Played during the scene in the San Francisco hotel bar
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User Reviews

 
This should be a hotly pursued video
3 June 2004 | by (Connecticut) – See all my reviews

There is so much to say about the way Otto Preminger directs a movie. His previous success, "Laura" (1944), was a blockbuster, but lacked the murky influence of film noir that was so popular during this time. Sure there was some film noir technique employed in "Laura", but not enough. However, "Laura" still holds it's own even by today's standards and the media, along with the marketing people, have done us all a favor (this time!!!) in keeping this classic alive and popular.

Needless to say, "Fallen Angel" redeems Preminger's ability to present a film in the classic noir of it's time and because of this is competitive with Billy Wilder's "Lost Weekend" (1945) and "Double Indemnity" (1944), both huge successes with audiences. But what about "Fallen Angel"?

Despite the cinematography and the super cast, "Fallen Angel" went to the chopping block via the critics. The critics rated this film as mediocre and audiences stayed away. Alice Faye, in her only dramatic role, left the movies in disgust partly because of what the critics did to this film. Why?

From beginning to end, the viewer is treated to some of the best cinematography that this art form had to offer. The way sluttish Linda Darnell is depicted before the camera is a treat for the eye and enhances her sexuality. The way Percy Kilbride is smitten with Darnell throughout the movie, up to the climax is an essential link to the continuity of the movie as well as with the novel by Marty Holland. The way Charles Bickford sits behind the lunch counter, slowly sipping his coffee sending a message to the viewer that something deep inside him is simmering, ready to explode. We all know that Bickford, along with Kilbride, Dana Andrews and Bruce Cabot all are victims to the whims of the dark Darnell.

And the way the blonde, good and virtuous Faye is contrasted with the dark, bad and selfish Darnell is more proof that this film should be marketed for the masses. The plot is strong, the camera work of Joseph LaShelle and, especially the film direction by Preminger rates this movie as one of the best of it's time.

Yes, this film rates up there with "Laura", "Double Indemnity" and "The Lost Weekend"; all three super classics from this era and available on VHS and DVD. Why not "Fallen Angel"?


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