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Escape in the Fog (1945)

Approved  |   |  Crime, Drama, Film-Noir  |  5 April 1945 (USA)
5.8
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Ratings: 5.8/10 from 251 users  
Reviews: 12 user | 7 critic

A military nurse recovering at an inn from a nervous breakdown keeps having dreams where she sees two men trying to murder a third. When she meets a man who is a federal agent at the inn, ... See full summary »

Director:

(as Oscar Boetticher Jr.)

Writer:

(original screenplay)
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Title: Escape in the Fog (1945)

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Cast

Cast overview:
...
...
William Wright ...
Barry Malcolm
Konstantin Shayne ...
Schiller
Ivan Triesault ...
Hausmer, Schiller's Henchman
Ernie Adams ...
George Smith
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Storyline

A military nurse recovering at an inn from a nervous breakdown keeps having dreams where she sees two men trying to murder a third. When she meets a man who is a federal agent at the inn, she is astounded to discover that he is the man in her dream who is the intended murder victim. Written by lisirose51@aol.com

Plot Summary | Add Synopsis

Taglines:

"Slipping Silently Out Of The Fog Came MURDER!" (original one-sheet poster) See more »

Genres:

Crime | Drama | Film-Noir

Certificate:

Approved
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Details

Country:

Language:

Release Date:

5 April 1945 (USA)  »

Also Known As:

Crime nas Brumas  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Goofs

The film shot of the bridge at the beginning of the movie and the end is the same. The headlights moving across the bridge are at the same point in the film footage. See more »

Connections

Featured in Budd Boetticher: A Man Can Do That (2005) See more »

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User Reviews

 
Pardon Me, But Weren't You in My Dream
2 July 2009 | by (Claremont,USA) – See all my reviews

Another wartime programmer that Hollywood was turning out by the hundreds. The only unusual angle is the mixing of espionage with psychic dreams, apparently an everyday occurrence in this scripted world. Except for the bland male lead (Wright), it's an excellent cast of stereotypes, including professional Hollywood Nazi, Ivan Triesault who made a career of these cruel types. There's also the incredibly smooth Otto Kruger playing a good guy, for once, but then who could do oily villains better than his smiling cobra. And what guy wouldn't like to partner-up with newcomer Nina Foch in an extended game of mixed doubles. With his penchant for cool blondes, I wonder why Hitchcock didn't enlist her obvious talents at some point. Anyway, cult director Boetticher helms in efficient style, the fog machine gets overtime, and a number of practiced players do their thing. (In passing, note how slickly Boetticher stages the shootout near movie's end—a foreshadowing of the classics to come. Note too, that Malcolm represents a generic federal agency and not the FBI by name. That way possible legal problems are avoided.) Nothing exceptional here, just a demonstration of how the studio assembly line turned out an entertaining product even under straitened wartime conditions.


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