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| Arletty | ... | Caire Reine, dite Garance | |
| Jean-Louis Barrault | ... | Jean-Baptiste Debureau | |
| Pierre Brasseur | ... | Frédérick Lemaître | |
| Pierre Renoir | ... | Jéricho | |
| María Casares | ... | Nathalie (as María Casarès) | |
| Gaston Modot | ... | Fil de Soie | |
| Fabien Loris | ... | Avril | |
| Marcel Pérès | ... | Le directeur des Funambules | |
| Palau | ... | Le régisseur des Funambules (as Pierre Palau) | |
| Etienne Decroux | ... | Anselme Debureau (as Étienne Decroux) | |
| Jane Marken | ... | Mme Hermine (as Jeanne Marken) | |
| Marcelle Monthil | ... | Marie | |
| Louis Florencie | ... | Le gendarme des 'Adrets' | |
| Habib Benglia | ... | L'employé des bains turcs | |
| Rognoni | ... | Le directeur du Grand Théâtre | |
| Jacques Castelot | ... | Georges | |
| Paul Frankeur | ... | L'inspecteur de police | |
| Albert Rémy | ... | Scarpia Barrigni | |
| Robert Dhéry | ... | Célestin | |
| Auguste Bovério | ... | Le premier auteur de 'L'auberge des Adrets' (as Auguste Boverio) | |
| Paul Demange | ... | Le deuxième auteur de 'L'auberge des Adrets' | |
| Louis Salou | ... | Édouard comte de Montray - l'homme qui épousera Garance | |
| Marcel Herrand | ... | Pierre-François Lacenaire | |
| rest of cast listed alphabetically: | |||
| Jeanne Dussol | ... | La femme à barbe | |
| Lucienne Legrand | ... | La première jolie théâtreuse (as Lucienne Vigier) | |
| Maurice Schutz | ... | L'encaisseur agressé par Lacnaire | |
| Germain Aeros | ... | Petit rôle (uncredited) | |
| Joe Alex | ... | Petit rôle (uncredited) | |
| Nicolas Bataille | ... | Extra (uncredited) | |
| Jean-Pierre Belmon | ... | Le petit Baptiste Debureau (uncredited) | |
| Gérard Blain | ... | (uncredited) | |
| Bill Bocket | ... | Petit rôle (uncredited) | |
| Albert Broquin | ... | Petit rôle (uncredited) | |
| Rivers Cadet | ... | Un bourgeois (uncredited) | |
| Jean Carmet | ... | Un spectateur au paradis des Funambules (uncredited) | |
| Maurice Cartier | ... | Petit rôle (uncredited) | |
| Grégoire Chabas | ... | Petit rôle (uncredited) | |
| Choisin | ... | Petit rôle (uncredited) | |
| Henri de Livry | ... | Le client de l'écrivain public (uncredited) | |
| Max Dejean | ... | Petit rôle (uncredited) | |
| Jean Diéner | ... | Le troisième auteur de 'L'Auberge des Adrets' (uncredited) | |
| Guy Favières | ... | Un encaisseur agressé par Lacenaire (uncredited) | |
| Madhyanah Foy | ... | Petit rôle (uncredited) | |
| Roger Gaillard | ... | Petit rôle (uncredited) | |
| Jean Gold | ... | Le deuxième dandy (uncredited) | |
| Gustave Hamilton | ... | Le concierge du Grand Théâtre (uncredited) | |
| Josselin | ... | Petit rôle (uncredited) | |
| Jean Lanier | ... | Iago - dans la représentation d' 'Othello' (uncredited) | |
| Léon Larive | ... | Le concierge des Funambules (uncredited) | |
| Lioté | ... | Petit rôle (uncredited) | |
| Marcel Melrac | ... | Un gendarme (uncredited) | |
| André Numès Fils | ... | L'homme qui se fait voler sa montre (uncredited) | |
| Raphaël Patorni | ... | Un dandy (uncredited) | |
| Cynette Quero | ... | La deuxième jolie théâtreuse (uncredited) | |
| Pierre Réal | ... | Petit rôle (uncredited) | |
| Paul Temps | ... | Petit rôle (uncredited) | |
| Michel Vadet | ... | Petit rôle (uncredited) | |
| Roger Vincent | ... | Petit rôle (uncredited) | |
| Lucien Walter | ... | Le marchand de billets (uncredited) | |
Directed by | |||
| Marcel Carné | |||
Writing credits | ||
| Jacques Prévert | (scenario and dialogue) | |
Produced by | |||
| Raymond Borderie | .... | producer: Pathé Cinéma | |
| Adrien Remaugé | .... | producer | |
Original Music by | |||
| Maurice Thiriet | |||
Cinematography by | |||
| Roger Hubert | |||
Film Editing by | |||
| Henri Rust | (as Henry Rust) | ||
| Madeleine Bonin | (uncredited) | ||
Production Design by | |||
| Léon Barsacq | (as Leon Barsacq) | ||
| Raymond Gabutti | |||
| Alexandre Trauner | (as Alex. Trauner) | ||
Art Direction by | |||
| Léon Barsacq | (as Leon Barsacq) | ||
| Raymond Gabutti | |||
Costume Design by | |||
| Mayo | |||
Production Management | |||
| Fred Orain | .... | production manager | |
| Louis Théron | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Pierre Blondy | .... | artistic assistant director | |
| Bruno Tireux | .... | technical assistant director | |
Art Department | |||
| Alexandre Trauner | .... | collaborator: sets (as Alex. Trauner) | |
| Fourrastier | .... | original poster designer (uncredited) | |
Sound Department | |||
| Jacques Carrère | .... | sound re-recording mixer | |
| Jean Monchablon | .... | sound | |
| Robert Teisseire | .... | sound engineer | |
Camera and Electrical Department | |||
| Roger Forster | .... | still photographer | |
| Marc Fossard | .... | camera operator | |
Music Department | |||
| Joseph Kosma | .... | composer: pantomime music | |
| Joseph Kosma | .... | music collaborator | |
| Charles Münch | .... | conductor | |
Other crew | |||
| Gilles Margaritis | .... | assistant: pantomimes | |
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| I Vitelloni | The Rules of the Game | Love Actually | The Children of the Century | Bon voyage |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
*Enfants* is a work of genius. I won't say it's the greatest film of all time, because its scope is very narrow: the mystery of the heart, the wayward course of love, the bittersweet joy and sorrow of lovers. Maybe that isn't so narrow after all, but it doesn't cover quite as wide a spectrum as other great films (seven samurai, casablanca, mahabharata, key largo etc). Nonetheless, this film belongs in that same company, for an unsurpassed portrayal of loves lost and won, and also the passion of art, a form of love expressing itself in public creativity, enriching the lives of many. Love between lovers enriches them alone; art enriches the world.
The woman Garance is loved by 4 men in this film. Two of them, at least, are superb renditions of genius-in-creation: the mime Baptiste, and the actor Frederick. Both are geniuses, but while Baptiste is silent, weak, and sad, Frederick is loud, powerful, irrepressively optimistic, courageous and generous. He is one of the greatest characters ever to grace the screen. He has one flaw: his genius is so pure, he has a blind spot regarding the weaknesses of others. He cannot conceive of an emotion such as jealousy, and so can never play Iago - until Garance, the fallen woman, finally teaches him.
The other character who may be a genius is Lacenaire, but he is a criminal genius. Evil, twisted, burning with hatred, he has only one true and honest anchor in society - his love for Garance. It doesn't save him, but it keeps him from being as bad as he could be.
Without going into the whole plot (it's long and convoluted) the primary paradox relates to intersecting and disconnected paths of love between the characters. Garance is loved by 4 men, but she really only loves Baptiste. So does Nathalie, a sweet and simple girl, who has the courage to do what Baptiste can not: she declares her love, and so they marry and have a child. Baptiste lacks the strength to take Garance when he has the chance, and so no one is happy - except maybe Frederick, he lives as life should be lived, and even the pain of losing Garance turns to gold in the alchemy of his art.
But despite the pain, and the unhappiness, loss and death, the world of *enfants* is beautiful. It's a world where love and art mean more than success or failure, a world where money is irrelevant and the passion for life burns away the curtain between fantasy and reality. It's three hours of *paradis*!
10/10, with a bullet through the heart.