During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
This tale centers around the love between Baptiste, a theater mime, and Claire Reine, an actress and otherwise woman-about-town who calls herself Garance. Garance, in turn, is loved by three other men: Frederick, a pretentious actor; Lacenaire, a conniving thief; and Count Edouard of Montray. The story is further complicated by Nathalie, an actress who is in love with Baptiste. Garance and Baptiste meet when Garance is falsely accused of stealing a man's watch. Garance is forced to enter the protection of Count Edouard when she is innocently implicated in a crime committed by Lacenaire. In the intervening years of separation, both Garance and Baptiste become involved in loveless relationships with the Count and Nathalie, respectively. Baptiste is the father of a son. Returning to Paris, Garance finds that Baptiste has become a famous mime actor. Nathalie sends her child to foil their meeting, but Baptiste and Garance manage one night together. Lacenaire murders Edouard. In the last ... Written by
kevin kraynak <email@example.com>
Several of the characters are based on real people: Frédérick Lemaître (1800 - 1876), noted French actor and playwright; Jean-Gaspard Deburau, or Debureau (1796 - 1846), a Bohemian-French actor and mime, performing at the Théâtre des Funambules; Pierre François Lacenaire (1800 - 1836) a noted French poet and murderer, and inspiration for Dostoevsky's Crime and Punishment; Victor Avril, a henchman of Lacenaire. See more »
The positions of Avril and Lacenaire in the Turkish baths changes between the shot of their entry and the closer shot. See more »
It is an epic. One of the best films ever made. The script and the dialogues show that the genius of Jacques Prévert wasn't made only for written poetry but for poetry in motion as well.Carné's camera is precise and makes one feel like a real witness of the plot. All in all a lesson of how to make a film yesterday, today and tomorrow.
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