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The Enchanted Cottage (1945)

Approved | | Drama, Romance | 10 September 1945 (Sweden)
A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of ... See full summary »

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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
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Richard Gaines ...
Alec Englander ...
Danny 'Taxi' Stanton
...
Marine Corporal
Eden Nicholas ...
Soldier
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Storyline

A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of loneliness than love. The romantic spirit of the cottage, however, overtakes them. They soon begin to look beautiful to each other, but no one else. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

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Scandal sparked their love! (Poster). See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

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Release Date:

10 September 1945 (Sweden)  »

Also Known As:

Mit den Augen der Liebe  »

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Technical Specs

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Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

May McAvoy, who appeared in the original The Enchanted Cottage (1924), attended this film's premiere, and admitted that she would have loved to have visited the set, "but I was fearful people would think I was making a bid for publicity". See more »

Quotes

Mrs. Abigail Minnett: Do you know what loneliness is, real loneliness?
Laura Pennington: [Heavy with sadness] Yes.
Mrs. Abigail Minnett: I thought you would.
See more »

Connections

Referenced in A Fine Romance: A Trip to the Dentist (1982) See more »

Frequently Asked Questions

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User Reviews

 
A beautiful film about seeing with your heart, not your eyes
25 April 2006 | by (Australia) – See all my reviews

This is a lovely, almost-forgotten little RKO weepie from the 40's. It boasts touching performances from it's two leads, Dorothy McGuire and Robert Young, and a fine supporting turn by the always good Herbet Marshall.

'Enchanted Cottage' has a real message. This is a film about seeing with your heart, not your eyes. Laura Pennington (McGuire) and Oliver Bradford (Young) learn to do so while cast under the magic spell of the 'enchanted cottage' they are inhabiting. It seems a hokey concept on paper, but this film really works.

Laura is a homely maid who looks as if she is going to spend her days as a spinster. She takes on a job at a pretty cottage owned by a dour old widow. Oliver Bradford originally wanted the cottage as a honeymoon location for him and his soon-to-be bride. However, Oliver was called to war a day before their wedding. He is disfigured and scarred as a result, and upon arriving home, his fiancé expresses disgust (although we never see it) at his changed appearance. Crippled, bitter and lonely, he takes the cottage as a single man. The kind-hearted, yet plain, Laura helps him in his loneliness, as she too knows what it feels like to be judged on looks alone.

They eventually decide to marry out of convenience. But the spell of the enchanted cottage starts to work on them on their wedding night, as they realise the true love and affection they harbour for each other, a love that goes past face value and transports them into another realm.

It is a tender love story. McGuire is never anything but convincing as the downtrodden yet kind Laura; she impressed me a lot more here than in her Oscar-nominated work for 'Gentlemen's Agreement'. All the time throughout watching the film I was thinking of her as a perfect actress for 'Jane Eyre'. She certainly could play the plain, ordinary girl well, with emotional depth and understanding. Indeed, the relationship between the once-handsome but now-scarred Oliver and the homely, unwanted maid Laura is reminiscent of the Jane-Rochester relationship.

The widow seems to subscribe to the English novel theory too; her stopped clock at the time of her husband's death is very 'Miss Havisham' from 'Great Expectations'.

Marshall is great, giving his usual understated performance as the blind composer who cannot 'see' with his eyes, but can feel with his heart and his brain.

A great musical score accompanies the scenery well, and appropriately dark cinematography complements the darker points of the story too. This was a war-time pic, and once again we are being shown the harsh realities of war through the disabled figure of Oliver. Still, this is more of a love story than propaganda.

This was made by the cash-strapped RKO studio, and today it is little-known. Apparently finding this film is hard, but here in Australia the ABC free-to-air network plays it regularly. I view myself as lucky.

This a tearjerker, and a beautiful romance story. Keep the tissues nearby.

8/10.


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