Donald has an unpleasant evening when a mysterious book salesman comes to his door then disappears leaving Donald with a collection of whodunnit novels. He reads one and gets so fully involved in it that it appears that the characters are actually coming out of the book and into his living room getting him involved in the murder caper. Finally the author of the book, J. Harold King, steps forth and claims Donald innocent. The characters return to the novel from whence they came leaving Donald wondering if it was really just his "imagination". Written by
Matt Yorston <email@example.com>
Several of the characters' names are spoofs on the names of Disney staff members. H.U. Hennesy is a spoof on Disney artist Hugh Hennesy, J. Harold King probably refers to director Jack King, and Leslie J. Clark is a play on the name of another Disney artist, Les Clark. See more »
Relax, just relax. Let your imagination go. Now turn out the light. Ah, there, that's better. My story begins: a woman speaks.
[a woman screams]
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The main title has the word "Goose" crossed out and "Duck" written in. See more »
It's DUCK PIMPLES for Donald and his overactive imagination when he falls asleep while listening to a suspenseful radio program.
The Duck gets swept up into the search for purloined pearls in this very funny & bizarre little film. The cartoon's backhanded salute to the power of old-time radio drama is more than justified. Clarence Nash provided Donald with his unique voice.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
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