Burlesque star (Blaine) makes it in the big time.

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(adaptation), (play) (as Louise Hovick) | 1 more credit »
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Cast

Complete credited cast:
...
...
Michael Francis 'Mike' Hannegan
...
Nicky Ricci
...
Chita Chula
...
Frankie Porter
...
Frederick Manly Gerard (as Michael Dunne)
...
Flo Hartman
Stanley Prager ...
Flo's Aide
...
Flo's Aide
...
Stage Manager
...
Peters
...
Lawyer Ferguson (as Donald McBride)
Rest of cast listed alphabetically:
Bando da Lua ...
Themselves, Carmen Miranda's Orchestra
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Storyline

Burlesque queen Doll Face Carroll is dismissed from an audition for a legitimate Broadway show because she's considered unrefined. Her boss/manager, Mike, decides that she can acquire some polish and also get plenty of publicity by writing her autobiography; he hires a ghost writer to do all the work but doesn't consider that Doll Face and her collaborator might have more than a book on their minds. Written by Daniel Bubbeo <DanNGM@aol.com>

Plot Summary | Add Synopsis


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Details

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Language:

Release Date:

31 December 1945 (USA)  »

Also Known As:

Here's a Kiss  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Many of the posters and publicity shots for this film prominently feature Carmen Miranda wearing a nautical outfit topped by a lighthouse headdress, even though she never actually wears it in the movie (the hat can be seen on a dressing room counter in one shot). Paramount Pictures, which owned the rights to the song "True To The Navy", wouldn't give permission for its use in the film. Consequently, the entire sequence, already filmed, with Miranda wearing her nautical attire, performing the song, had to be cut. See more »

Quotes

'Doll Face' Carroll: Do you mean to stand there and tell me I ain't got class? Why, in Duluth, I was billed as the... You tell 'em, Mike.
Michael Francis 'Mike' Hannegan: The Classy Chassis from Tallahassee. 'Cept she's from Brooklyn, but that don't rhyme with nothin'.
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Soundtracks

Red Hot and Beautiful
(uncredited)
Music by Jimmy McHugh
Lyrics by Harold Adamson
Sung by Perry Como and danced by chorus girls
Later sung by Vivian Blaine and male quartet
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Frequently Asked Questions

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User Reviews

 
Unremarkable but worth a look for curiosity's sake
18 January 2017 | by (United Kingdom) – See all my reviews

Some good talent here, but all have done better and some are not used particularly well. 'Doll Face' is watchable, mostly for curiosity or for any musical fan who wants to continue to find more to watch, but while there are good things here one couldn't help feeling that it could have been better than it turned out.

'Doll Face' is nicely photographed, and has very professional-looking set and costume design. Would have preferred for it to be in colour, and numbers like "Chico Chico" cried out for it, but depending on budget and such not every musical or film can have the benefit of being in colour. It would have been more preferable but it made do, the film still looks nice enough (if not giving the wow factor) without it.

The songs are lovely and pass the memorability test, the highlights being "Walking in My Dreams", "Dig You Later" and "Here Comes Heaven Again" and all three are sung beautifully and performed with spirit. In terms of choreography, most not much to write home about but Miranda's big production number captivates in its energy. The cast are a very mixed bag, but faring best are a hilariously sparkling Carmen Miranda and vivacious Martha Stewart. Dennis O'Keefe also tries hard and does have moments of amusement.

On the other hand, Vivian Blaine is a polished but passionless lead, and while Perry Como looks handsomely and sings exquisitely (then again when did he ever not?) he's pretty bland and doesn't look very at ease. That is true with much of the male cast actually, the roles are underwritten and people may also object to the way they're written too, sexism has been brought up in a couple of comments and understandably (the male characters' attitudes towards women doesn't really hold up now and be a sour note for a fair few).

"Chico Chico" aside, the choreography is very routine aside, most of the numbers being so indifferently choreographed and directed, as well as confined, that the one with the most energy and the most cinematic-feeling feels over-produced in comparison. The story makes thin ice seem thick and feels plodding and dreary in the non-musical scenes, and was expecting more energy and wit from the script here which felt bland.

Overall, worthwhile enough curiosity but unremarkable and had a lot of room to be much better. 5/10 Bethany Cox


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