Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into ... See full summary »
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms... See full summary »
Set at the turn of the century, smooth talking con man Eddie Johnson weasels his way into a job at friend and rival Joe Rocco's Coney Island night spot. Eddie meets the club's star ... See full summary »
Music-hall star Madeleine Marlowe leaves London engaged to the Duke of Trippingham only to find back home that Police Gazette hack Samuel A. McGee has exposed her as former burlesque queen ... See full summary »
Joe Davis Sr., headliner at a big nightclub, is visited by medical student son Joe Jr., who to Dad's chagrin wants to be a crooner, and soon comes between Dad and his girlfriend Claire. So glamorous dancer Bonnie is enlisted to distract Junior. Which does Bonnie want more, the fur coat or true love? Plot is a framework for numerous Ziegfeld style stage productions. Written by
Rod Crawford <email@example.com>
Typically loopy Fox vehicle for Betty Grable...energy and cheap razzmatazz to spare
"Diamond Horseshoe" begins with a stage number wherein all the showgirls are ingredients in a French chef's recipe, with Betty Grable as the main course, of course. She fights with her co-star offstage (he tells her, "You are in show business for only two reasons...and you're standing on both of them!"). In order to bring romantic happiness for a gal-pal, wisecracking Betty agrees to come between a singer and his son, the latter of whom was to become a doctor but now wants a taste of the footlights. Taken from John Kenyon Nicholson's play "The Barker", the plot (though relentlessly padded with novelty numbers, revues, and sketches) is far stronger than those of other Grable-showcases, and screenwriter George Seaton isn't afraid to be catty and snappy. Some of the put-downs are priceless, while Grable infuses the funny interplay with a jazzy '40s-era spirit (she's both jaded and sassy). Unfortunately, most of the songs are unsingable, and Dick Haymes is such a shallow love-interest that it doesn't make any sense for a tootsie like Betty to actually fall for him. The production probably looked elaborate in 1945, but today it seems tacky, and at 104 minutes the movie eventually wears out its welcome. **1/2 from ****
0 of 2 people found this review helpful.
Was this review helpful to you?