Trapped inside his car by a mudslide, smooth talking Jackson Alder suddenly finds himself in a situation he can't talk his way out of. With no hope of rescue, he must defy the odds; battling Mother Nature for his survival.
Explore your worst possible fears in this shocking horror thriller inspired by terrifying true events! Driving back to Norway, Lina and Martin reach a roadblock where a policeman tells them... See full summary »
A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
In flashback, New York nightclub pianist Al Roberts hitchhikes to Hollywood to join his girl Sue. On a rainy night, the sleazy gambler he's riding with mysteriously dies; afraid of the police, Roberts takes the man's identity. But thanks to a blackmailing dame, Roberts' every move plunges him deeper into trouble... Written by
Rod Crawford <email@example.com>
To save on production costs,Leo Erdody, the film's composer, was recorded and filmed playing two classical piano pieces, Frédéric Chopin's "Waltz No. 7 in C# minor" and Johannes Brahms' "Waltz Op. 39 no. 15 in Ab Major" as a favor for director Edgar G. Ulmer. Al Roberts (Tom Neal) "performs" the piano pieces during scenes set in the "Break of Dawn" nightclub. Erdödy's hands, in close-up, can be seen playing during the Brahms. See more »
After meeting up with Roberts, Vera's hair continually changes while riding in the convertible. See more »
Yes. Fate, or some mysterious force, can put the finger on you or me for no good reason at all.
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You can quibble about details, but it's hard to deny that this is a classic in its genre. Al Roberts (Tom Neal) makes a series of bad choices that bring him low. They're the choices of a not particularly bright young man under increasing pressure. Vera (Ann Savage) is the quintessential Bad Girl. Their repartee, indeed much of the dialogue throughout, is a big part of the attraction of this film. The plot, presented in flashback, barrels on relentlessly to its conclusion. The characterizations, dialogue, plot, photography--all contribute to make this taut, gritty film a must for film noir enthusiasts. My only real disappointment is with the rather abrupt end. On the whole, though, great fun.
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