An architect senses impending doom as his half-remembered recurring dream turns into reality. The guests at the country house encourage him to stay as they take turns telling supernatural tales.

Directors:

(as Cavalcanti), | 2 more credits »

Writers:

(original story), (original story) | 5 more credits »
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Cast

Cast overview, first billed only:
Mervyn Johns ...
Roland Culver ...
Mary Merrall ...
...
Joan Cortland
Frederick Valk ...
Dr. Van Straaten
Anthony Baird ...
Hugh Grainger (as Antony Baird)
...
Sally O'Hara
Robert Wyndham ...
Dr. Albury
Judy Kelly ...
Joyce Grainger
Miles Malleson ...
Hearse Driver
Michael Allan ...
Jimmy Watson
Barbara Leake ...
Mrs O'Hara
Ralph Michael ...
Peter Cortland
Esme Percy ...
Antiques Dealer (as Esmé Percy)
Basil Radford ...
George Parratt
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Storyline

Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Add Synopsis

Genres:

Horror

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

15 October 1945 (UK)  »

Also Known As:

A Dança da Morte  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Parratt and Potter, the very-English characters portrayed by Basil Radford and Naunton Wayne in the Golfing Story are derivatives of Charters and Caldicott, created for Alfred Hitchcock's The Lady Vanishes (1938). The double-act proved to be so popular that Radford and Wayne were paired up as similar sport-obsessed gentlemen (or occasionally reprising their original rôles) in a number of productions, including this one. The name-change neatly sidestepped any copyright issues. See more »

Goofs

During the dummy sequence, when sitting and talking with Mr. Kee, the dummy's hand changes position from table to knee. See more »

Quotes

[first lines]
Eliot Foley: Ah! Walter Craig?
Walter Craig: How do you do? You're Eliot Foley.
Eliot Foley: That's right. So glad you were able to come, let's have your bag.
[takes Craig's bag]
Eliot Foley: We'll put the car away afterwards. You know it struck me after I'd telephoned you, rather a cheek on my part asking a busy architect like yourself to come down and spend the weekend with a set of complete strangers.
Walter Craig: Not a bit.
Eliot Foley: You see we're pretty cramped for space here, we need at least two more bedrooms.
Walter Craig: And with only one living room.
Eliot Foley: Yes, only...
[...]
See more »

Connections

Referenced in Nightmare City (1980) See more »

Soundtracks

The Hullalooba
Written and Composed by Anna Marly
Played by Frank Weir and his Sextet
Sung by Elisabeth Welch (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Masterpiece
2 June 2005 | by (Croatia) – See all my reviews

I watched Dead of Night for the first and (unfortunately) for the last time on TV when I was 10 or 11 years old but I still remember it like one of most fearful experience of my life. Later, like a mature person I realized that my fear was nothing but the mirror image of geniality of this movie. The best horror ever made. Without effects, without computers, without trivial editing. Just with immense psychological sophistication. Something what good horror should always be: a kind of social and psychological criticism, story about dark side of our lives and souls. I just cannot find the words to express my respect to this monument. Dead of Night should never be forgotten. Never.


23 of 29 people found this review helpful.  Was this review helpful to you?

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