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Dead of Night (1945)

Approved | | Fantasy, Horror | 15 October 1945 (UK)
An architect senses impending doom as his half-remembered recurring dream turns into reality. The guests at the country house encourage him to stay as they take turns telling supernatural tales.

Directors:

(as Cavalcanti), | 2 more credits »

Writers:

(original story), (original story) | 5 more credits »
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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
Mervyn Johns ...
Roland Culver ...
Mary Merrall ...
...
Joan Cortland
Frederick Valk ...
Dr. Van Straaten
Anthony Baird ...
Hugh Grainger (as Antony Baird)
...
Sally O'Hara
Robert Wyndham ...
Dr. Albury
Judy Kelly ...
Joyce Grainger
Miles Malleson ...
Hearse Driver
Michael Allan ...
Jimmy Watson
Barbara Leake ...
Mrs O'Hara
Ralph Michael ...
Peter Cortland
Esme Percy ...
Antiques Dealer (as Esmé Percy)
...
George Parratt
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Storyline

Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Add Synopsis

Genres:

Fantasy | Horror

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

15 October 1945 (UK)  »

Also Known As:

Prízraky noci  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Parratt and Potter, the very-English characters portrayed by Basil Radford and Naunton Wayne in the Golfing Story are derivatives of Charters and Caldicott, created for Alfred Hitchcock's The Lady Vanishes (1938). The double-act proved to be so popular that Radford and Wayne were paired up as similar sport-obsessed gentlemen (or occasionally reprising their original rôles) in a number of productions, including this one. The name-change neatly sidestepped any copyright issues. See more »

Goofs

As Peter Cortland stands looking into the mirror his wife-to-be has bought him, the stripes on his tie run from his left side, down to his right. A reverse shot shows the stripes on his tie running in the same direction; obviously not a mirror image. See more »

Quotes

[first lines]
Eliot Foley: Ah! Walter Craig?
Walter Craig: How do you do? You're Eliot Foley.
Eliot Foley: That's right. So glad you were able to come, let's have your bag.
[takes Craig's bag]
Eliot Foley: We'll put the car away afterwards. You know it struck me after I'd telephoned you, rather a cheek on my part asking a busy architect like yourself to come down and spend the weekend with a set of complete strangers.
Walter Craig: Not a bit.
Eliot Foley: You see we're pretty cramped for space here, we need at least two more bedrooms.
Walter Craig: And with only one living room.
Eliot Foley: Yes, only...
[...]
See more »

Connections

Featured in Zomergasten: Episode #10.2 (1997) See more »

Soundtracks

Light of Foot
(uncredited)
Music by Carl Latann
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Scared me nearly to death as a kid.
12 March 2001 | by (New Jersey, USA) – See all my reviews

I saw Dead of Night when I was ten years old, and the horror stayed with me through most of my teen years. The mini-story about the antique mirror that showed the reflection of a totally different room than the one the man was in, made me afraid to be alone in a room with a mirror. Even to this day, as a grown man, I am a bit uncomfortable if I am alone at night in a room with a big, old mirror. Most of the mini-stories in this movie stayed with me for years, making me shudder whenever I would think about them. It is interesting, too, that the story of the ventriloquist's dummy that "comes to life," an oft-repeated theme in other movies and TV shows, originated with Dead of Night. I did not see the movie again until decades later. I was not as horrified, seeing it as an adult, but certain scenes still made me shudder. The main, underlying, weird idea of the movie, which becomes plain in the closing scene, leaves you with a spooky feeling and this thought: "could something like this be true of my life too?"


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