Dr. John Holden ventures to London to attend a paranormal psychology symposium with the intention to expose devil cult leader, Julian Karswell. Holden is a skeptic and does not believe in ... See full summary »
On a Greek island during the 1912 war, several people are trapped by quarantine for the plague. If that isn't enough worry, one of the people, a superstitious old peasant woman, suspects ... See full summary »
An elderly countess strikes a bargain with the devil and exchanges her soul for the ability to always win at cards. An army officer, who is also a fanatic about cards, murders her for the ... See full summary »
This anthology tells three stories: a man buys a car that takes him back and forth through time; a tale of vampires; and a distraught mother asks for her drowned son to come back to life ... See full summary »
A young Canadian nurse (Betsy) comes to the West Indies to care for Jessica, the wife of a plantation manager (Paul Holland). Jessica seems to be suffering from a kind of mental paralysis ... See full summary »
Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales. Written by
Doug Sederberg <email@example.com>
Parratt and Potter, the very-English characters portrayed by Basil Radford and Naunton Wayne in the Golfing Story are derivatives of Charters and Caldicott, created for Alfred Hitchcock's The Lady Vanishes (1938). The double-act proved to be so popular that Radford and Wayne were paired up as similar sport-obsessed gentlemen (or occasionally reprising their original rôles) in a number of productions, including this one. The name-change neatly sidestepped any copyright issues. See more »
As Peter Cortland stands looking into the mirror his wife-to-be has bought him, the stripes on his tie run from his left side, down to his right. A reverse shot shows the stripes on his tie running in the same direction; obviously not a mirror image. See more »
Ah! Walter Craig?
How do you do? You're Eliot Foley.
That's right. So glad you were able to come, let's have your bag.
[takes Craig's bag]
We'll put the car away afterwards. You know it struck me after I'd telephoned you, rather a cheek on my part asking a busy architect like yourself to come down and spend the weekend with a set of complete strangers.
Not a bit.
You see we're pretty cramped for space here, we need at least two more bedrooms.
And with only one living room.
[...] See more »
I saw Dead of Night when I was ten years old, and the horror stayed with me through most of my teen years. The mini-story about the antique mirror that showed the reflection of a totally different room than the one the man was in, made me afraid to be alone in a room with a mirror. Even to this day, as a grown man, I am a bit uncomfortable if I am alone at night in a room with a big, old mirror. Most of the mini-stories in this movie stayed with me for years, making me shudder whenever I would think about them. It is interesting, too, that the story of the ventriloquist's dummy that "comes to life," an oft-repeated theme in other movies and TV shows, originated with Dead of Night. I did not see the movie again until decades later. I was not as horrified, seeing it as an adult, but certain scenes still made me shudder. The main, underlying, weird idea of the movie, which becomes plain in the closing scene, leaves you with a spooky feeling and this thought: "could something like this be true of my life too?"
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