Dr. John Holden ventures to London to attend a paranormal psychology symposium with the intention to expose devil cult leader, Julian Karswell. Holden is a skeptic and does not believe in ... See full summary »
Alec Graham is sentenced to death for the murder of his girlfriend Jennie, with whom he spent a weekend at the English country home of the parents of his friend Brian Stanford. Alec's ... See full summary »
On a Greek island during the 1912 war, several people are trapped by quarantine for the plague. If that isn't enough worry, one of the people, a superstitious old peasant woman, suspects ... See full summary »
Eugene O'Neill's updated version of the Orestaia. In New England, after the American Civil War, a war-weary Agamem--er, Ezra Mannon comes home to his unhappy wife (Christine) and loving ... See full summary »
An American boy and a French girl run away from a Swiss school making for Paris to reunite with their parents. The boy's father and the girl's mother join forces, despite cultural differences, to search for their kids.
A young Canadian nurse (Betsy) comes to the West Indies to care for Jessica, the wife of a plantation manager (Paul Holland). Jessica seems to be suffering from a kind of mental paralysis ... See full summary »
Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales. Written by
Doug Sederberg <email@example.com>
Cosmolgists Fred Hoyle, Thomas Gold and Hermann Bondi, developed the Steady State theory of the universe, an alternative to the Big Bang, after seeing "Dead of Night". They said that the circular nature of the plot inspired the theory. See more »
During the dummy sequence, when sitting and talking with Mr. Kee, the dummy's hand changes position from table to knee. See more »
Ah! Walter Craig?
How do you do? You're Eliot Foley.
That's right. So glad you were able to come, let's have your bag.
[takes Craig's bag]
We'll put the car away afterwards. You know it struck me after I'd telephoned you, rather a cheek on my part asking a busy architect like yourself to come down and spend the weekend with a set of complete strangers.
Not a bit.
You see we're pretty cramped for space here, we need at least two more bedrooms.
And with only one living room.
[...] See more »
Anthology n.: a collection of selected literary pieces or passages of works of art or music.
This classic horror-anthology from Britain's Ealing Studios is composed of four separate stories, composed around a group of strangers that is mysteriously gathered at a country estate where each reveals their chilling tale of the supernatural. But even after these frightening tales are told, does one final nightmare await them all?
The horror-anthology has proved a difficult sub-genre, usually made with only limited success, because it's notoriously difficult to get it right. If only one of the stories fails to deliver, the whole piece is dragged down. But this multi-part horror effort from Britain's Ealing Studios still proves to be very effective and justifiably still is one of the most revered and successful horror anthologies ever made. It features appearances by many of the best British actors of it's day, including Mervyn Johns, Ralph Michael, Basil Radford and Michael Redgrave. With four different directors at the helm, not all four segments are equally effective and are quite different in tone, but they are all good in their own right. The standout for me, not judged in terms of the best, but certainly the most frightening story of the four, is "The Ventriloquist Dummy" by Brazilian born Alberto Cavalcanti (he's simply billed as Cavalcanti), the only non-British director involved in DEAD OF NIGHT. Michael Redgrave plays a renowned ventriloquist who descends into an abyss of madness and murder, when his dummy takes on a life of his own. One of the most unsettling stories I've ever seen.
The somewhat less effective (if only slightly) mirror sequence by Robert Hamer shows something very scary can be achieved with very basic means. When Ralph Michael looks in the mirror, to his horror he keeps seeing the reflection of a dark Gothic room lit with candles, completely different from the room he's standing in and slowly, he begins to loose his mind. Ultimately, it is the extremely unsettling music score that makes it work. Basic but very effective.
As with most anthologies, it's difficult to keep track of the main interwoven storyline, because between the different stories we're told, your mind is still very much trying to grasp what you've just seen. This is probably why the genre became increasingly unpopular over the years. With the exception of "The Ventriloquist Dummy", don't expect anything particularly scary, but it did leave me quietly disturbed. The peerless British cast and the witty, slightly old-fashioned tongue-in-cheek dialog makes this very pleasant and appropriately unsettling viewing.
Camera Obscura --- 8/10 --- 10/10 for "The Ventriloquist Dummy"
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