Dead of Night (1945)

Director:

Alberto Cavalcanti

Writers:

H.G. Wells (original story) &
E.F. Benson (original story) ...

Release Date:

15 February 1946 (Finland)

Genre:

Horror | Mystery | Thriller

Plot:

Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare...

Plot Keywords:

Dream | Nightmare | Architect | Recurring Nightmare | Farmhouse

Awards:

1 win & 1 nomination

Cast

Mervyn Johns	...	Walter Craig
Roland Culver	...	Eliot Foley
Mary Merrall	...	Mrs Foley
Googie Withers	...	Joan Cortland
Frederick Valk	...	Dr. Van Straaten
Anthony Baird	...	Hugh Grainger (as Antony Baird)
Sally Ann Howes	...	Sally O'Hara
Robert Wyndham	...	Dr. Albury
Judy Kelly	...	Joyce Grainger
Miles Malleson	...	Hearse Driver
Michael Allan	...	Jimmy Watson
Barbara Leake	...	Mrs O'Hara
Ralph Michael	...	Peter Cortland
Esme Percy	...	Antiques Dealer (as Esmé Percy)
Basil Radford	...	George Parratt

Runtime:

103 min | USA:77 min | Germany:95 min

Country:

UK

Language:

English | French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA)

Certification:

Argentina:Atp | USA:Approved | Australia:M (DVD rating) | Norway:16 | Australia:PG | Finland:K-16 | Sweden:15

Filming Locations:

Ealing Studios, Ealing, London, England, UK

Company:

Ealing Studios

Trivia:

Cosmolgists Fred Hoyle, Thomas Gold and Hermann Bondi, developed the Steady State theory of the universe, an alternative to the Big Bang, after seeing "Dead of Night". They said that the circular nature of the plot inspired the theory.

Goofs:

Continuity: During the dummy sequence, when sitting and talking with Mr. Kee, the dummy's hand changes position from table to knee.

Quotes:

[first lines]
[Walter Craig drives up to Foley's farmhouse and looks around with an expression part suspicious and part dumbfounded]
Eliot Foley: Ah! Walter Craig?
Walter Craig: How do you do. You're Eliot Foley.
[They shake hands]
Eliot Foley: That's right. So glad you were able to come. Let's have your bag. I'll put the car away afterwards. You know, it struck me, after I'd telephoned you, rather cheek on my part to ask a busy architect like yourself to come down and spend the weekend with a set of complete strangers.
Walter Craig: [to himself] Not complete.
Eliot Foley: You see, we're pretty cramped for space here. We need at least two more bedrooms.
Walter Craig: And with only one living room.
Eliot Foley: Yes, only one living room. However, we'll go into all that in the morning, shall we?
[...]

Movie Connections:

Featured in "Midsomer Murders: Ghosts of Christmas Past (#7.7)" (2004)

Soundtrack:

The Hullalooba

A prime example of a well-made horror-anthology

Anthology n.: a collection of selected literary pieces or passages of works of art or music.

This classic horror-anthology from Britain's Ealing Studios is composed of four separate stories, composed around a group of strangers that is mysteriously gathered at a country estate where each reveals their chilling tale of the supernatural. But even after these frightening tales are told, does one final nightmare await them all?

The horror-anthology has proved a difficult sub-genre, usually made with only limited success, because it's notoriously difficult to get it right. If only one of the stories fails to deliver, the whole piece is dragged down. But this multi-part horror effort from Britain's Ealing Studios still proves to be very effective and justifiably still is one of the most revered and successful horror anthologies ever made. It features appearances by many of the best British actors of it's day, including Mervyn Johns, Ralph Michael, Basil Radford and Michael Redgrave. With four different directors at the helm, not all four segments are equally effective and are quite different in tone, but they are all good in their own right. The standout for me, not judged in terms of the best, but certainly the most frightening story of the four, is "The Ventriloquist Dummy" by Brazilian born Alberto Cavalcanti (he's simply billed as Cavalcanti), the only non-British director involved in DEAD OF NIGHT. Michael Redgrave plays a renowned ventriloquist who descends into an abyss of madness and murder, when his dummy takes on a life of his own. One of the most unsettling stories I've ever seen.

The somewhat less effective (if only slightly) mirror sequence by Robert Hamer shows something very scary can be achieved with very basic means. When Ralph Michael looks in the mirror, to his horror he keeps seeing the reflection of a dark Gothic room lit with candles, completely different from the room he's standing in and slowly, he begins to loose his mind. Ultimately, it is the extremely unsettling music score that makes it work. Basic but very effective.

As with most anthologies, it's difficult to keep track of the main interwoven storyline, because between the different stories we're told, your mind is still very much trying to grasp what you've just seen. This is probably why the genre became increasingly unpopular over the years. With the exception of "The Ventriloquist Dummy", don't expect anything particularly scary, but it did leave me quietly disturbed. The peerless British cast and the witty, slightly old-fashioned tongue-in-cheek dialog makes this very pleasant and appropriately unsettling viewing.

Camera Obscura --- 8/10 --- 10/10 for "The Ventriloquist Dummy"