Danger Signal (1945)A very romantic murderer has plans to seduce, marry and kill a beautiful woman for her wealth, but finds her younger sister to be even better prey. Director:Robert Florey |
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Danger Signal (1945)A very romantic murderer has plans to seduce, marry and kill a beautiful woman for her wealth, but finds her younger sister to be even better prey. Director:Robert Florey |
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Faye Emerson | ... |
Hilda Fenchurch
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Zachary Scott | ... |
Ronnie Mason
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| Richard Erdman | ... |
Bunkie Taylor
(as Dick Erdman)
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Rosemary DeCamp | ... |
Dr. Jane Silla
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| Bruce Bennett | ... |
Dr. Andrew Lang
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Mona Freeman | ... |
Anne Fenchurch
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John Ridgely | ... |
Thomas Turner
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Mary Servoss | ... |
Mrs. Fenchurch
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Joyce Compton | ... |
Kate
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Virginia Sale | ... |
Mrs. Crockett
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Smooth-talker Ronnie Mason earns his living by murdering lonely women for their inheritances. On the run, Ronnie poses as a disabled war vet and takes a room at the Fenchurch home. He at first courts elder daughter Hilda, but changes his plans after meeting her younger, prettier--and richer--sister. Hilda discovers Ronnie's scheme, but can she act before her sister becomes his next victim? Written by Chris Stone <jstone@bellatlantic.net>
Zachary Scott plays a womanizing writer who, as the film is opening, is removing a wedding ring from the finger of a woman who is lying in a bed in a hotel room. That she doesn't wake up tells you something. The story is fairly involved with minimal intrusion by law enforcement. It plays itself out between Scott and the woman he thinks will be his next push-over, an LA stenographer played by Faye Emmerson. While the audience is expecting the worst from Scott, it's Emmerson whose character eventually goes beyond what one would expect of it. Scott's traipsing around LA and looking for a room to rent is fairly riveting and when he sees Emmerson trying to take down the "Room For Rent" sign from her nice middle class two story wood house, the story is set. Suave ruthless womanizer meets lonely stenographer who lives with her mother and easily (maybe too easily) wins them both over. And later comes the arrival of the younger and prettier sister (Mona Freeman), which pretty much sets the stage and opens a lot of possibilities. Scott himself is at his ruthless best.