Les dames du Bois de Boulogne (1945)

Not Rated  |   |  Drama, Romance  |  3 April 1964 (USA)
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Reviews: 17 user | 25 critic

A society lady engineers a marriage between her lover and a cabaret dancer who is essentially a prostitute.



(scenario & adaptation), (story), 1 more credit »
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Cast overview:
Paul Bernard ...
Lucienne Bogaert ...
Mme. D
Jean Marchat ...
Yvette Etiévant ...
La bonne
Marcel Rouzé
Bernard La Jarrige
Lucy Lancy
Nicole Regnault
Emma Lyonel
Marguerite de Morlaye


Hélène understands that Jean doesn't love her anymore. She is full of grief and anger, and she starts brooding on revenge. When she meets Jean, she pretends herself to be the one that has ceased to love the other. Jean is relieved, because now he thinks they can part as friends. Hélène goes to a night club, where a young woman, Agnès, is a famous dancer. Agnés has been forced into this life of debauchery and courtesanship because of poverty. She hates it and all the lecherous men. Hélène has met Agnès and her mother several years ago, and after the show she looks them up. She says that she will help them to leave this degrading life. The next day they shall move to an apartment she has rented, and stay there anonymously. Some days later she arranges a seemingly spontaneous meeting between Jean and Agnès in the Bois de Boulogne. Jean immediately falls in love with Agnès, who he thinks is an innocent girl from the countryside. Fueled by Hélène, and by Agnès's resistance, his infatuation... Written by Maths Jesperson {maths.jesperson1@comhem.se}

Plot Summary | Add Synopsis


Drama | Romance


Not Rated | See all certifications »




Release Date:

3 April 1964 (USA)  »

Also Known As:

Ladies of the Park  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:


Aspect Ratio:

1.37 : 1
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Did You Know?


When Agnes falls after dancing in her apartment, her head is seen resting upon the skirt of her costume. But in the close shot when her mother goes to her, her head is seen to be on the floor. See more »


Agnès: We're unlucky. Every time we meet alone, it's raining.
See more »


Edited into Histoire(s) du cinéma: La monnaie de l'absolu (1998) See more »

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User Reviews

Bresson's second film, a moody classical set piece
14 August 2014 | by (United Kingdom) – See all my reviews

Just after the Nazis left, Robert Bresson directed this, his second film. The story is an updated version of a tale entitled 'Jacques le Fataliste' by Denis Diderot (1713-1784), the famous radical thinker and encyclopaedist of the French Enlightenment era. Surprisingly enough, Diderot's novels and stories have been filmed 22 times between 1922 and 2013, and this one was filmed again in both 1967 and 2005. The reference to the Bois de Boulogne is because that used to be the traditional haunt of better class prostitutes. This film is a surprisingly formal, classical film for someone like Bresson. It is primarily notable for the frighteningly intense performance by Maria Casares as a beautiful woman scorned, who applies all of her energies to destroying the lover who has jilted her. It is a horrid story of relentless, maniacal feminine vengeance. Dialogue for the film was written by Jean Cocteau. Much of the film consists of recurring shots of the smouldering gaze of Casares, who scorches the viewer, the camera, the screen, and everything and everyone in sight with her sinister, scheming hatred and determination to obtain revenge. She would have been better off going for a walk in the Bois and calming down.

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