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The Corn Is Green (1945)

 |  Drama  |  14 July 1945 (USA)
7.7
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Ratings: 7.7/10 from 1,674 users  
Reviews: 25 user | 11 critic

A schoolteacher becomes the mentor of a talented young miner and seeks to get him into a university.

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Title: The Corn Is Green (1945)

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Nominated for 2 Oscars. See more awards »
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Cast

Complete credited cast:
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Rosalind Ivan ...
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Arthur Shields ...
Gwyneth Hughes ...
Thomas Louden ...
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Rest of cast listed alphabetically:
Jack Owens ...
William Roy ...
Idwal Morris (as Billy Roy)
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Storyline

Schoolteacher Lilly Moffat is dismayed by conditions in a Welsh mining town. She sets up a school to teach fundamental education to the villagers. Her housekeeper and daughter oppose the project, as does the local Squire who will not rent her space. Using part of her own home, she goes ahead with Miss Moffat's School. One of her students Morgan Evans turns from bully to brilliant student. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

In her heart of hearts she knew she'd never hold him. See more »

Genres:

Drama

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Parents Guide:

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Details

Country:

Language:

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Release Date:

14 July 1945 (USA)  »

Also Known As:

Cuando el amor florece  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Richard Waring, who created the role of Morgan on stage in America was signed by Warner Bros. but he was drafted before shooting began and had to be replaced by John Dall. Veteran actor Gareth Hughes was then living in a monastery. An agreement was found with his religious superior so that he could serve as the Welsh dialect coach. See more »

Goofs

Despite the villagers being illiterate, every time a poster is put up people gather round to read it. See more »

Quotes

Miss Lilly Moffat: [reading] ... and when I walk in the dark I can touch with my hands where the corn is green.
See more »

Connections

Version of BBC Play of the Month: The Corn Is Green (1968) See more »

Soundtracks

All Through the Night
(uncredited)
Traditional Welsh lullaby
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Our Miss Moffatt
7 June 2006 | by See all my reviews

By now, Bette Davis was having her pick of the type of movies she wanted to make and was known to sacrifice looks for parts that were meaty and difficult. Playing Lily Moffatt must have been a breeze for her, because it allowed her to eliminate all of her grandiose trademark gestures, act in a more paused, restrained way, and let the character's own energy flow out of her and thus dictate how it wanted to convey itself on screen.

Acting against newcomer John Dall she comes off as an equal instead of the experiences actress she by then was: she allows Dall to express himself quite strongly, although at times his Welsh accent wavers in and out. It's too bad, however, that despite this strong debut, Oscar nominated for Supporting Actor, which was followed by ROPE and GUN CRAZY, Dall practically had nothing to hold onto when it came to movies and disappeared for the majority of the Fifties, returning only for SPARTACUS and a smattering of other films.

It's too bad, but one of the many stories of brief careers that make their mark in one or more movies. Speaking of which, Joan Lorring was another actress who took her role and ran with it. For her acting she was awarded, like Dall, a Supporting Actress nomination, but was little seen after 1948. If it weren't for this footnote in her career she'd be all but a forgotten supporting actress; she manages to eclipse Davis in two scenes in the movie, and her exit is also memorable.

Davis probably didn't get a nomination because by now it seemed she could phone in her emotions and play this kind of role in her sleep. Even so, it's a very good role, very understated, not very well remembered (except by her hardcore fans), and the last hit she would have because from 1946 on her movies would start losing money and be of varying quality, that is, until her great comeback as Margo Channing in ALL ABOUT EVE.


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