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Conflict (1945)

7.1
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Ratings: 7.1/10 from 1,485 users  
Reviews: 34 user | 7 critic

A hen-pecked engineer trapped in an unhappy marriage murders his wife in hopes of marrying her younger sister.

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Writers:

(screenplay), (screenplay), 2 more credits »
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Title: Conflict (1945)

Conflict (1945) on IMDb 7.1/10

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Cast

Complete credited cast:
...
Richard Mason
...
Evelyn Turner
...
Dr. Mark Hamilton
Rose Hobart ...
Kathryn Mason
Charles Drake ...
Prof. Norman Holsworth
...
Dr. Grant
Patrick O'Moore ...
Det. Lt. Egan (as Pat O'Moore)
Ann Shoemaker ...
Nora Grant
Edwin Stanley ...
Phillips (as Ed Stanley)
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Storyline

Richard Mason is slightly injured in a car accident but pretends greater hurt so that he cannot accompany his wife Kathryn on a trip to the mountains. He does, however, kill her on a lonely mountain road. Or did he? He smells her perfume, finds her jewelry, sees an envelope addressed with her handwriting. He must go back to the scene of the crime to find ... what? Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

SUSPENSE...SUSPICION...MAN-WOMAN DESIRES! (original print ad - all caps)


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

15 June 1945 (USA)  »

Also Known As:

The Pentacle  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Jack L. Warner had Joan Crawford, who had just joined Warner Bros. and was looking for her first role at the studio, in mind for the role of Kathryn Mason, and sent the script for the film to her. However, after reading the script, Crawford told her agent to tell Warner that "Joan Crawford never dies in her movies, and she never ever loses her man to anyone". See more »

Goofs

When Richard sees his wife disappear into an empty apartment, the owner tells him that the place has "redone floors and all new wallpaper", yet every wall is plain paint. See more »

Quotes

Dr. Mark Hamilton: You see sometimes a thought can be like a malignant disease that starts to eat away the willpower. When that happens, it's my business to remove the thought before it can cause destruction.
Richard Mason: That's a very pretty thought, Doctor, but I don't quite see how you can take a thought out of a man's head. It seems to me if it's there, it's there and there's nothing can be done about it.
See more »

Connections

Edited into Tales from the Crypt: You, Murderer (1995) See more »

Soundtracks

How Sweet You Are
(uncredited)
Music by Arthur Schwartz
Played after Richard leaves the phone booth, talks to the operator and Dr. Hamilton, and out on the terrace
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User Reviews

Reasonable mystery
19 November 2001 | by (United Kingdom) – See all my reviews

Richard Mason (Humphrey Bogart) kills his wife Katherine on a remote hill road. With a good alibi he feels it is the perfect crime and plays the role of the concerned husband as the police follow up a missing persons report. However things begin happening that convince Richard that his wife is very much alive.

This is not a classic Bogart role. He is quite good as the murderer who begins to unravel as his crime begins to catch up with him, he quite convincingly gets increasingly frantic during the film as things keeping happening that couldn't happen unless his wife was alive. However it isn't as strong a role as some of his classics. The strongest performance is Sydney Greenstreet as Doctor Hamilton who supports Bogart through his loss.

The story requires on two mysteries to keep your interest - one, is his wife still alive or is he being played by someone with an ulterior motive? and two - will he get away with the murder? As a mystery it doesn't quite grab you as much as it should. The two mysteries are not enough to drive you until the end but are quite entertaining - especially where Bogart believes he is losing his mind when someone plays games with him. But it's not that great a mystery - we know that either she's alive or she's not - the options are limited so the solution doesn't exactly come out of left-field! The ending is therefore not great, although it is clever, in particular finding out the mistake that Bogart made in his otherwise perfect crime. But it's all a bit of an anti-climax and you feel that you suspected as much the whole way through.

A reasonable mystery film but it doesn't have the tension or mystery that it needed to keep it's audience on a knife's edge for the duration


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