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Conflict (1945)

7.1
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Ratings: 7.1/10 from 1,486 users  
Reviews: 34 user | 7 critic

A hen-pecked engineer trapped in an unhappy marriage murders his wife in hopes of marrying her younger sister.

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Writers:

(screenplay), (screenplay), 2 more credits »
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Title: Conflict (1945)

Conflict (1945) on IMDb 7.1/10

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Cast

Complete credited cast:
...
Richard Mason
...
Evelyn Turner
...
Dr. Mark Hamilton
Rose Hobart ...
Kathryn Mason
Charles Drake ...
Prof. Norman Holsworth
...
Dr. Grant
Patrick O'Moore ...
Det. Lt. Egan (as Pat O'Moore)
Ann Shoemaker ...
Nora Grant
Edwin Stanley ...
Phillips (as Ed Stanley)
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Storyline

Richard Mason is slightly injured in a car accident but pretends greater hurt so that he cannot accompany his wife Kathryn on a trip to the mountains. He does, however, kill her on a lonely mountain road. Or did he? He smells her perfume, finds her jewelry, sees an envelope addressed with her handwriting. He must go back to the scene of the crime to find ... what? Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

SUSPENSE...SUSPICION...MAN-WOMAN DESIRES! (original print ad - all caps)


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

15 June 1945 (USA)  »

Also Known As:

The Pentacle  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The statue of the Maltese Falcon is clearly displayed as an ornament on the top of the wooden filing cabinet in Det. Lt. Egan's office when Richard visits. A few years earlier, Bogart and Greenstreet has appear in the movie about this statue, by the same name. No reference to it in the dialogue is made. See more »

Goofs

When Richard sees the empty apartment, the owner tells him that the sink has a double draining board, yet there is no sink. Furthermore, it could not even be in the obscured alcove or it would be obscuring the light from the window on the wall. See more »

Quotes

Richard Mason: [after he thinks he's seen his dead wife entering a deserted apartment] She's supposed to be dead, you understand. She's supposed to be murdered.
Landlady: Murdered?
[the landlady starts becoming increasingly more fearful of his tone]
Richard Mason: [He becomes increasingly maniacal] Yes, murdered. You know what that means?
Landlady: Yes, sir.
Richard Mason: You don't like that, do you?
Landlady: No, sir.
Richard Mason: [His eyes now have a wild look to them] Yes, sir - no, sir - yes, sir! Cats come back sometimes, but women don't. You put cats in a bag and thriow them in...
[...]
See more »

Connections

Edited into Tales from the Crypt: You, Murderer (1995) See more »

Soundtracks

How Sweet You Are
(uncredited)
Music by Arthur Schwartz
Played after Richard leaves the phone booth, talks to the operator and Dr. Hamilton, and out on the terrace
See more »

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User Reviews

"The Subject Was Roses"?
28 August 2004 | by (United States) – See all my reviews

Sidney Greenstreet was only in motion pictures for nine years, but he left a mark as large as his physical presence. He was lucky to be taken through his initial appearance in films (he was past 60)by one of the great modern film directors (John Huston). And after THE MALTESE FALCON he was lucky enough to appear in a second film by Huston (ACROSS THE PACIFIC) co-starring his "Maltese Falcon" friends Bogart and Mary Astor. With that build-up he was set. Unfortunately, he also had been set in the role of villain, and for as long as he was connected to Warners Brothers (which was most of his whole career) he was usually playing villains. There would be exceptions: He was in comedies like CHRISTMAS IN CONNECTICUT, THE HUCKSTERS, PILLOW TO POST. But most of his films were dramatic, with him playing the villains. Sometimes his villains were sympathetic, or the type the audience secretly cheered on (his Superintendent Grodman avenges himself and a wrongly hanged man in the course of the film THE VERDICT). Sometimes he destroyed a truly evil figure (usually Zachary Scott), like in THE MASK OF DEMETRIOS.

Because of THE MALTESE FALCON and the Warner Brothers connection, Greenstreet and Bogart found themselves teamed together, frequently with Peter Lorre or Mary Astor in these films as well. In most of them Greenstreet played a villain or a semi-sinister figure (his role in Casablanca is not a total villain in the film). But CONFLICT is a real exception. It was the only time Greenstreet and Bogart were in a film together and Bogart is the villain, while Greenstreet is the man who solves the murder. It is good reverse casting (reminding us that Bogart's period as a supporting actor in the 1930s was one where he played villains against Edward G. Robinson or James Cagney). Greenstreet is excellent as the the man who uses psychological warfare to crack the killer's conscience. And it is so subtly done we never know what was the cause of Greenstreet's discovery of the truth - it all comes down to an issue of horticulture...so to speak.


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