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Confidential Agent (1945)

Approved | | Drama, Thriller | 10 November 1945 (USA)
During the Spanish Civil War, a republican courier travels to England to try and buy coal. He meets with an amount of local hostility, while his life is at risk from those on the fascist ... See full summary »

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Writers:

(novel), (screenplay)
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Cast

Complete credited cast:
...
...
...
Licata
...
Else
...
Captain Currie
...
Contreras
...
Mrs. Melandez
...
Neil Forbes
...
Lord Benditch
Dan Seymour ...
Mr. Muckerji
Art Foster ...
Chauffeur
...
Mr. Brigstock
...
Lord Fetting
...
Dr. Bellows
...
Detective Geddes
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Storyline

During the Spanish Civil War, a republican courier travels to England to try and buy coal. He meets with an amount of local hostility, while his life is at risk from those on the fascist side. Support comes from an unlikely if attractive quarter. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Genres:

Drama | Thriller

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

10 November 1945 (USA)  »

Also Known As:

Agente confidencial  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Film debut of Wanda Hendrix. See more »

Goofs

In a scene late in the film, where Lauren Bacall and Charles Boyer are driving in the car, one angle shows a two-tone steering wheel (amber on top, ivory on the bottom/grip side); but in the next shot, a closeup on the steering wheel, the entire steering wheel is ivory. See more »

Quotes

Contreras: I have a bad heart! The doctors have only given me six months to live!
Luis Denard: They made a mistake.
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Soundtracks

Too Marvelous for Words
(uncredited)
Music by Richard A. Whiting
Played on the piano at the road house
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User Reviews

 
Quite underrated.

An underrated addition to the Graham Greene cinematic canon - its perceived faults can now be seen as virtues. Director Shumlin, theatrical director, frames his action with an oppressive rigidity appropriate to the material, and the seemingly inept compositions compellingly suggest unease. Both a dark thriller and a story of moral regeneration (for the female character! In a 40s thriller!), the film has an upright hero who turns mad and murderous (and possibly paedophiliac), brilliantly brings the faraway ideologies of the Spanish Civil War into jolting dangerous reality, has one horrific murder, an astonishing insights into class and capitalism, clever theatrical metaphors, a rare approximation of Greene's God, and an ending that is only happy if you know nothing about history.


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