Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves ...
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Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Biography of songwriter, Broadway pioneer, Jerome Kern. Unable to find immediate success in the USA, Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva.
With his high school graduation behind him, Andy Hardy decides that as an adult, it's time to start living his life. Judge Hardy had hoped that his son would go to college and study law, ... See full summary »
Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves falling in love with each other, and they decide to get married before Joe has to return to camp. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
When Alice meets Joe for their first date, they meet under the Beaux Arts clock in the lobby of the Astor Hotel in Times Square. This then-famous hotel was built in 1904, and demolished in 1967 to make way for the One Astor Plaza office tower. See more »
As they're riding up Fifth Avenue on the bus, she points out Radio City and St. Patrick's Cathedral. Radio City isn't on Fifth Avenue, it's on sixth Avenue. A moment or so later, as the continue riding up fifth avenue,the statue of Atlas at Rockefeller Center is seen in the rear projection background. The statue is directly across from the cathedral, which they should've passed already. See more »
You are the most maddening lady creature I've ever been able to come in contact with. Let me take you out of all this.
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A soldier on leave meets a young woman in wartime New York City
Two tragic, wonderful performers, Robert Walker and Judy Garland, star as a soldier and the girl he meets in "The Clock," a wartime love story also starring James Gleason, Lucille Gleason, Ruth Brady, Marshall Thompson, and Keenan Wynn.
Joe (Walker), on leave before he ships out, is in the big city when he meets Alice (Garland) as the heel falls off of her shoe on an escalator. His charm and enthusiasm soon overcome her, and before she knows it, she's agreed to spend time with him. They embark on an adventure which takes them to the museum and Central Park, where they meet milkman Gleason and end up delivering his products when he is accidentally knocked in the face by a drunk (Keenan Wynn) in a coffee shop. When day dawns, Alice and Joe come to a realization.
This is a frenetic, high-energy movie, beautifully orchestrated by Vincente Minnelli, who manages to keep the tender love story in focus as the couple dashes around New York, losing one another, finding one another, doing a milk run, the pace picking up and becoming even more frantic as they race against the clock towards the end of the film. Then it all stops, and there is calmness and silence as "The Clock" draws to a close.
The clock is a symbol of the limited time they have together, and a symbol of their meeting place - under the clock at the Astor Hotel - and where they find one another after one makes it on the subway and the other doesn't. It's a haunting symbol as Minnelli vividly paints a New York atmosphere with its crowds and bustling with the underpinning of World War II. And imagine - you could go into Central Park at night in the '40s and come out alive.
Judy Garland, in the same studio as Lana Turner, Ava Gardner, and many other beauties, probably never appreciated what made her beautiful. In "The Clock," "The Pirate," and "Meet Me in St. Louis," she is at her loveliest, slender and luminous with enormous eyes and a sweet, girlish, vulnerable quality. Walker, who would be bloated and dead six years after this film's release, was doubtless still reeling from problems in his private life when he made this film, but he is handsome, deft with a line, and brimming with youth. He and Garland make a wonderful couple.
It's sad to think about what happened to these actors, but one is confident about the characters in "The Clock." Released in 1945, the war would soon be over, and Garland's ending monologue (originally to be said by Walker) rings true. "Whoever is making the arrangements is doing pretty well by us," she says. Too bad it wasn't the same for them in real life.
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