Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves ... See full summary »
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Paul Whiteman and Orchestra
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Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves falling in love with each other, and they decide to get married before Joe has to return to camp. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
As they're riding up Fifth Avenue on the bus, she points out Radio City and St. Patrick's Cathedral. Radio City isn't on Fifth Avenue, it's on sixth Avenue. A moment or so later, as the continue riding up fifth avenue,the statue of Atlas at Rockefeller Center is seen in the rear projection background. The statue is directly across from the cathedral, which they should've passed already. See more »
This film gives Judy Garland a chance (her first, I think?) to appear in a non-singing role, as Alice Mayberry, a hopeless romantic who works in New York. When she meets soldier Joe Allen (Robert Walker) they fall deeply in love with each other and are soon beating a path to the altar.
As a war-based romance, this story moves fast because it has to - in a matter of days Alice and Joe know they belong together, and we know it too, thanks to the scenes we see in the museum, in the park away from the bustling traffic, and within the railway station. Garland and Walker are both excellent, the perfect representations of dewy-eyed young lovers.
We're not disappointed by the little roles, either - James and Lucille Gleason play a friendly milkman and his wife, Keenan Wynn plays a drunk in a diner, Ruth Brady plays Alice's housemate Ruth, and Marshall Thompson gathers many laughs all to himself as Ruth's silent boyfriend Bill, never allowed to say anything in response to her constant questioning, gossiping, and nagging.
Directed by Garland's husband Vincente Minnelli, 'The Clock' is a quiet and lovely film, not often quoted as one of the greats, but a good example of the best entertainment MGM could offer in the 1940s.
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