Dr. Eli Watt, a widower, comes to a small town, considering himself a failure in his attempt to have a meaningful career in New York. He raises his son Jimmy as well as Letty, a baby whose ... See full summary »
John S. Robertson
Laura Mansfield's father is killed, apparently by a telegraphic messenger. She spots Jackie Wales in a police lineup, but can't identify him positively. Later, she arranges to meet him, and... See full summary »
Edward L. Cahn
At the end of the Civil War, Southern beauty Belle Shirley, indignant at the way Yankees treat the Southerners, marries Confederate guerrilla leader Sam Starr and continues to raid Union towns, becoming a symbol of Southern resistance.
In a hill city of war-torn China, the American mission hospital is run by Dr. Gray Thompson and Dr. Sara Durand, who secretly loves him. Then Gray comes back from the USA with new equipment ...and new wife Louise, who is jealous of Sara, shows herself a coward in the first Japanese air raid, and wants to take Gray back to the States. Others have similar troubles; and Japanese prisoner Colonel Yasuda manipulates them for his own ends. Written by
Rod Crawford <firstname.lastname@example.org>
The Japanese used no Airborne troops in China during World War II. They only had three battalions of para-marines that were used in Indochina (Southeast Asia, Viet Nam, Cambodia, etc.) on a very limited basis as airborne troops; but did participate in several landings. See more »
Engaging, but a little too predictable war melodrama.
Randolph Scott gets top billing, but ultimately this is Ruth Warrick's picture. She's a doctor holding together a makeshift hospital in China while its founder (Scott) is on his way back with much needed supplies--and a new wife, to her thinly-veiled disappointment. Having seen Warrick in a few other 1940s films, I can understand why the doc failed to notice her: despite her attractiveness, she never really exuded any sex appeal. But her character is very likable, while the new wife's shallowness becomes apparent within minutes of her entrance. And that's the problem with this picture--too easy. In fact, all it does is lower the audience's opinion of the foolish doctor for not seeing what's painfully apparent even to the other character's who don't speak the language. There's a similar subplot involving another doctor and a nurse, that's equally obvious. A wounded Japanese villain provides more action for the story, whose loose ends get tied up all too neatly and quickly. Either Pearl S. Buck's original novel just wasn't one of her better ones, or this movie doesn't do it justice. Nevertheless, it probably made for a decent lead-in on a double-feature back in the day.
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