With World War 2 looming, a prominent family in China must confront the contrasting ideas of traditionalism, communism and Western thinking, while dealing with the most important ideal of all: love and its meaning in society.
Beasley, who is after Gayner's land, plans to kidnap his daughter. But Dale overhears their plan and kidnaps her himself. When Gayner arrives to retrieve his daughter, Beasley kills him and makes the Sheriff arrest Dale for the murder.
The setting is the Civil War and its aftermath. Belle's family has lost their land to Yankees. She marries Confederate guerilla leader Sam Starr and they continue activities against ... See full summary »
In a hill city of war-torn China, the American mission hospital is run by Dr. Gray Thompson and Dr. Sara Durand, who secretly loves him. Then Gray comes back from the USA with new equipment ...and new wife Louise, who is jealous of Sara, shows herself a coward in the first Japanese air raid, and wants to take Gray back to the States. Others have similar troubles; and Japanese prisoner Colonel Yasuda manipulates them for his own ends. Written by
Rod Crawford <email@example.com>
The Japanese used no Airborne troops in China during World War II. They only had three battalions of para-marines that were used in Indochina (Southeast Asia, Viet Nam, Cambodia, etc.) on a very limited basis as airborne troops; but did participate in several landings. See more »
Engaging, but a little too predictable war melodrama.
Randolph Scott gets top billing, but ultimately this is Ruth Warrick's picture. She's a doctor holding together a makeshift hospital in China while its founder (Scott) is on his way back with much needed supplies--and a new wife, to her thinly-veiled disappointment. Having seen Warrick in a few other 1940s films, I can understand why the doc failed to notice her: despite her attractiveness, she never really exuded any sex appeal. But her character is very likable, while the new wife's shallowness becomes apparent within minutes of her entrance. And that's the problem with this picture--too easy. In fact, all it does is lower the audience's opinion of the foolish doctor for not seeing what's painfully apparent even to the other character's who don't speak the language. There's a similar subplot involving another doctor and a nurse, that's equally obvious. A wounded Japanese villain provides more action for the story, whose loose ends get tied up all too neatly and quickly. Either Pearl S. Buck's original novel just wasn't one of her better ones, or this movie doesn't do it justice. Nevertheless, it probably made for a decent lead-in on a double-feature back in the day.
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