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Captain Kidd (1945)

Approved | | Adventure, Biography, Drama | 1946 (Austria)
The unhistorical adventures of pirate Captain Kidd revolve around treasure and treachery.

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Writers:

(screenplay), (original story)
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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
...
...
...
Lady Anne Dunstan
...
Cary Shadwell
...
Orange Povy
...
Jose Lorenzo
...
Bart Blivens
...
Cyprian Boyle
...
Capt. Rawson
...
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Storyline

In this unhistorical account, Capt. William Kidd is already a clever, ruthless pirate when, in 1699, he tricks the king into commissioning him as escort for a treasure ship from India. He enlists a crew of pardoned cutthroats...and Orange Povey, whom Kidd once abandoned on a reef and hoped never to see again. Of course, Kidd's intentions are treacherous. But there's more to gunner Adam Mercy than meets the eye. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Plot Keywords:

pirate | king | diamond | pearls | emerald | See All (75) »

Taglines:

Adventure on the high seas! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1946 (Austria)  »

Also Known As:

Le capitaine Kidd  »

Box Office

Budget:

$1,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film is loosely based on the real-life pirate, William Kidd. Born in Scotland in 1645, he began his career as a privateer. By 1690 he became a wealthy shipowner in New York. In 1696, during a trip to East Africa, he turned to piracy. He captured or looted many ships. Trusting that his privateer commission would protect him, he returned to Long Island in 1699. He was ordered to England, where he was arrested, tried and convicted for piracy and murder. He was hanged in 1701. Stories about Kidd's buried treasure were legendary but the only booty ever found was on Gardiners Island, near Long Island, in New York. See more »

Goofs

Sailors (who were unlikely to wear shoes on ships anyway) would never wear shoes into a powder magazine. The chances of a spark from boot/ shoe nails amidst all that powder was too great. See more »

Quotes

[first lines]
Capt. William Kidd: Stab me, there's a pretty sight!
Orange Povey: It'll be prettier still when the fire reaches the magazine, Captain.
Cyprian Boyle: Pity though. Lots of stout seamen among 'em. They've been with us a long time.
Capt. William Kidd: We can none of live forever, Mr. Boyle. Dead men don't talk.
See more »

Connections

Spoofed in Abbott and Costello Meet Captain Kidd (1952) See more »

Soundtracks

The Hebrides
(uncredited)
Written by Felix Mendelssohn-Bartholdy
Opening credits
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Fun but absurd
16 May 2003 | by (Minneapolis, MN) – See all my reviews

A classic example of a pirate melodrama, this production purports to be based on the life of the historic Captain Kidd (played with campy, eye-waggling mannerisms by Laughton). There are few pirate cliches that don't find their way into Norman Reilly Raine's overwrought script - buried treasures, kidnapped maidens, English nobles masquerading as buccaneers. Much of it is unintentionally silly: It is, for example, impossible to take the hale, beefy, Virginia-twanged Randolph Scott as either an English nobleman or a pirate. Scott claims two friends aboard Kidd's pirate ship, both strangely effete, deferential characters: Another pirate, who acts as Scott's valet, and Kidd's own valet, who spends most of the movie surreptitiously assisting Scott in his scheming against the pirate captain. Kidd's companions, by comparison, are swaggering caricatures, and Kidd spends most of the movie scheming to dispatch them in one of the film's strangest images: Laughton, huddled over a small book, jotting down names or crossing them out, muttering to himself and cackling.

Much of this is good fun, and some of the cinematography is gorgeous - even by today's standards, the use of miniatures and trick camerawork creates a convincing illusion of ships at battle on roiling seas. But the story is so far from history that there seems to be no good reason to name Laughton after the real Captain Kidd, a bumbler whose short career as a pirate and humiliating death was little but a series of bizarre travesties. But the script is awkward and choppy, and many of the set pieces are strangely cramped and stagey, as though this were a theatrical production rather than a film. Ultimately, the true pleasure in watching the film comes from Laughton's peculiar performance, which is similarly theatrical, as though it were an oversized clown act from a London stage transferred to film. He plays Kidd without nuance, telegraphng the captain's bloated greed and amorality as though these were comical personal eccentricities. The closest the screen has since produced to Laughton's outre characterization is Harvey Fierstein's Pirate King character in 1997's Kull the Conqueror, which is pure camp.

Laughton was, in fact, gay, and though this fact is never made overt in Captain Kidd, there is some surprising subtext. Two scenes in particular strike contemporary eyes as having implicitly camp sensibilities - one in which Laughton sniffingly dismisses any interest in female companionship, and another scene in which Scott, a legitimate beefcake, shares a bath with his valet, both happily scrubbing each other while surrounded by hundreds of semi-clad pirates. Yo ho ho.


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