This is the story of the crew of a downed bomber, captured after a run over Tokyo, early in the war. Relates the hardships the men endure while in captivity, and their final humiliation: ... See full summary »
Nicole has no job and is several weeks behind with her rent. Her solution to her problem is to try and snare a rich husband. Enlisting the help of her friend Gloria and the maitre'd at a ... See full summary »
Douglas Fairbanks Jr.,
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K. Corral (e.g., Doc is killed by Curley before the actual battle and Earp must do the job alone).
Eugene O'Neill's updated version of the Orestaia. In New England, after the American Civil War, a war-weary Agamem--er, Ezra Mannon comes home to his unhappy wife (Christine) and loving ... See full summary »
In this unhistorical account, Capt. William Kidd is already a clever, ruthless pirate when, in 1699, he tricks the king into commissioning him as escort for a treasure ship from India. He enlists a crew of pardoned cutthroats...and Orange Povey, whom Kidd once abandoned on a reef and hoped never to see again. Of course, Kidd's intentions are treacherous. But there's more to gunner Adam Mercy than meets the eye. Written by
Rod Crawford <firstname.lastname@example.org>
Four years before this movie was made, Charles Laughton co-starred in It Started with Eve (1941), In that film, Laughton's character, Jonathan Reynolds Sr., is said to have been born two centuries too late. The assistant newspaper editor comments that he could have been "Captain Kidd himself". See more »
Near the start of the movie as Capt Kidd is burying his treasure in the cave, he shoots one of his sailors. Kidd is holding the gun in his right hand pointed toward the victim. When he shoots there is a large volume of smoke.
The shot shifts to a broad shot of the cave showing the dead sailor, other members of the crew and Kidd. In this shot, there is no smoke from the gun being fired and Kidd is holding the gun pointed to the ground by his side. See more »
Like THE SON OF MONTE CRISTO (1940), this public-domain title turned up on local TV some years ago; the film starts off well enough and is enjoyable in itself, but peters out towards the end. Charles Laughton (who reprised the role in ABBOTT AND COSTELLO MEET CAPTAIN KIDD ) is certainly fun as the title villain, and it was especially gratifying to watch him interact with John Carradine; the great cast features innumerable other familiar faces, though Randolph Scott seems positively ill-at-ease in pirate garb (especially after having just watched him in one of his defining western roles by way of Budd Boetticher's SEVEN MEN FROM NOW )! The low-budget is evident in the film's studio-bound look (despite being mostly ship-set!), its use of stock footage (particularly in establishing shots) and the conspicuous stunt doubles during the duel scene between Scott and Gilbert Roland.
12 of 16 people found this review helpful.
Was this review helpful to you?