Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a... See full summary »
Eldorado, a fictitious country in Latin America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins ... See full summary »
The hit musical based on the life of Evita Duarte, a B-picture Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.
Everyday the children of the neighborhood known as "Tire Dié", in the city of Santa Fe, wait for the train to ask for money, shouting "Tire dié!" (toss me a dime!) to the passengers. ... See full summary »
Guillermo Cervantes Luro,
María Rosa Gallo,
Mario Soffici was one of the greatest directors of the Argentine golden age cinema. Some of his outstanding movies were Prisioneros de la Tierra aka Prisoners of the Land (1939), La Cabalgata del Circo aka Circus Cavalcade (1945), and Rosaura a las 10 aka Rosaura at 10 o'clock (1958). La cabalgata del circo evokes the rich and idiosyncratic evolution, developed between 1880 and 1930, started from creole Argentinean nomadic circus, which included short plays (or "pantomimes") in the same perform with clowns and other more conventional circus performing acts. In a moment of that evolution circus overlapped with theater in a genre proper of the Argentinean and Italian arenas in the 1920's: the sainete, a kind of satirical play. All of this in a film that says about itself during the final sequences: it is a film -and not a story about circus-.
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