CHRONICLE OF A BOY ALONE, is an indictment of a fascist regime running roughshod over its most vulnerable citizens, its children. Focusing on the bleak life of eleven-year-old bad boy Polin... See full summary »
A scientist who has invented a technique to watch people's memories finds himself in a dangerous situation after he's tasked with entering a heroin addict's mind to see whether the man committed murder.
Everyday the children of the neighborhood known as "Tire Dié", in the city of Santa Fe, wait for the train to ask for money, shouting "Tire dié!" (toss me a dime!) to the passengers. ... See full summary »
Guillermo Cervantes Luro,
María Rosa Gallo,
Two separate episodes that have in common the door which separates good from evil. In the first segment, "Alguien al teléfono", Ángel Magaña tries to avenge the death of his sister, a girl ... See full summary »
Nazareno Cruz is the seventh son of a couple living in a high mountain village. According to a myth, a seventh son will become a wolf on nights of the full moon. Everyone in the village is ... See full summary »
Juan José Camero,
Mario Soffici was one of the greatest directors of the Argentine golden age cinema. Some of his outstanding movies were Prisioneros de la Tierra aka Prisoners of the Land (1939), La Cabalgata del Circo aka Circus Cavalcade (1945), and Rosaura a las 10 aka Rosaura at 10 o'clock (1958). La cabalgata del circo evokes the rich and idiosyncratic evolution, developed between 1880 and 1930, started from creole Argentinean nomadic circus, which included short plays (or "pantomimes") in the same perform with clowns and other more conventional circus performing acts. In a moment of that evolution circus overlapped with theater in a genre proper of the Argentinean and Italian arenas in the 1920's: the sainete, a kind of satirical play. All of this in a film that says about itself during the final sequences: it is a film -and not a story about circus-.
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