Drama about a young woman, Erica, who is wrongly implicated in a crime and sent to prison for five years, where she faces deplorable conditions. With the aid of the warden, she sets out to prove her innocence.
Peter Weston is engaged to Vanessa Colebrook, the daughter of a wealthy businessman. On a journey home on a steamer he meets an old sea hand who shares with him how his wife won't let him ... See full summary »
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Mary Herries is a rich woman with a habit of contributing to those less fortunate than her. On her way home from a concert on Christmas Eve she discovers a poor, would-be artist outside her... See full summary »
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During WW II, one of the hits of the London stage is a play about a murderer who strangles his victims. The actor who plays the strangler identifies so strongly with his part that when he receives a blow to the head during a bombing raid, he believes that he actually is the strangler. Written by
The was a British film portraying a stage actor who is hit on the head during a bombing in World War II raid on London and then acts the "strangler" in the play he's in, forgetting that he's just an actor. It's an interesting premise. Most of the plot was pretty obvious but there was a twist or two thrown in which kept my attention.
However, to be honest, after about 40 minutes my mind started to wander, as the movie just plodded along. A story about a guy with "multiple personalities," so to speak, someone who can't distinguish anymore between fact and fiction, and winds up thinking he's "the Brighton Strangler" should have been a lot more interesting than it was. At 67 total minutes, there is no excuse for this to be a boring movie.
John Loder is good in the lead as "Reginald Parker/Edward Gray," but the story doesn't live up to his performance. It just sags, big-time, in that middle section. There are major plot holes in here, too. The guy plays a "famous" actor yet no one recognizes him. I bet if someone re-made this story, it could a chilling one.
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