During the first World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
At a café on a railway station, housewife Laura Jesson meets doctor Alec Harvey. Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday in the small café, although they know that their love is impossible. Written by
Carnforth Station was chosen partly because it was so far from the southeast of England that it would receive sufficient warning of an air-raid attack that there would be time to turn out the filming lights to comply with wartime blackout restrictions. See more »
When Laura buys a brandy for herself late in the film she hand over a single coin which the girl throws into the register without giving change. We later see that she rang up 10d, the price stated earlier in the film for the same drink. There was no 10d coin. See more »
It's awfully easy to lie when you know that you're trusted implicitly. So very easy, and so very degrading.
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It really pleases me to see the very positive responses here to this gem of a movie. I recently read Kevin Brownlow's epic, detailed biography of David Lean, and I'm less mystified as to how Lean went from intimate character dramas such as this one, and even GREAT EXPECTATIONS and OLIVER TWIST, to the big-screen epics which placed far more emphasis on scenery and very little on character. Lean had great problems with intimacy, and much preferred grandeur (he virtually abandoned his son, and didn't meet one of his grandchildren until she was about 30). I'm not knocking the epics, because I've enjoyed them as well, but at the end of LAWRENCE OF ARABIA one knows about as much about Lawrence as one did about 3-1/2 hours earlier. ..unlike Alec and Laura in this film, whom we know very well after 1-1/2 hours, or Pip and Miss Havisham in EXPECTATIONS, characters who leapt off the screen and endeared themselves to us (it also helped that some really gifted actors & actresses played these roles).
I never tire of BRIEF ENCOUNTER - it's one of the screen's great romances, perhaps because it doesn't quite end "happily ever after". It remains simple, honest, and unforgettable.
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