Noel Coward's attempt to show how the ordinary people lived between the wars. Just after WWI the Gibbons family moves to a nice house in the suburbs. An ordinary sort of life is led by the ... See full summary »
Henry Hobson runs a successful bootmaker's shop in nineteenth-century Salford. A widower with a weakness for the pub opposite, he tries forcefully to run the lives of his three unruly ... See full summary »
Brenda de Banzie
Based on the Charles Dickens novel Oliver Twist is about an orphan boy who runs away from a workhouse and meets a pickpocket on the streets of London. Oliver is taken in by the pickpocket ... See full summary »
At a café on a railway station, housewife Laura Jesson meets doctor Alec Harvey. Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday on the small café, although they know that their love is impossible. Written by
According to several Billy Wilder biographies, the scene in this film where Alec tries to use a friend's apartment in order to be alone with Laura inspired Wilder to write The Apartment (1960). See more »
Carnforth Station has had its name board covered and replaced with a big sign reading Milford Junction, but the smaller platform notices (behind Laura when Alec tells her about the job in South Africa) still show the next train's destinations as Hellifield, Skipton, Bradford and Leeds. See more »
[speaking about Dolly to herself]
I wish you'd stop talking. I wish you'd stop prying and trying to find things out. I wish you were dead - no I don't mean that. That was silly and unkind. But I wish you'd stop talking.
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It really pleases me to see the very positive responses here to this gem of a movie. I recently read Kevin Brownlow's epic, detailed biography of David Lean, and I'm less mystified as to how Lean went from intimate character dramas such as this one, and even GREAT EXPECTATIONS and OLIVER TWIST, to the big-screen epics which placed far more emphasis on scenery and very little on character. Lean had great problems with intimacy, and much preferred grandeur (he virtually abandoned his son, and didn't meet one of his grandchildren until she was about 30). I'm not knocking the epics, because I've enjoyed them as well, but at the end of LAWRENCE OF ARABIA one knows about as much about Lawrence as one did about 3-1/2 hours earlier. ..unlike Alec and Laura in this film, whom we know very well after 1-1/2 hours, or Pip and Miss Havisham in EXPECTATIONS, characters who leapt off the screen and endeared themselves to us (it also helped that some really gifted actors & actresses played these roles).
I never tire of BRIEF ENCOUNTER - it's one of the screen's great romances, perhaps because it doesn't quite end "happily ever after". It remains simple, honest, and unforgettable.
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