Noel Coward's attempt to show how the ordinary people lived between the wars. Just after WWI the Gibbons family moves to a nice house in the suburbs. An ordinary sort of life is led by the ... See full summary »
Henry Hobson runs a successful bootmaker's shop in nineteenth-century Salford. A widower with a weakness for the pub opposite, he tries forcefully to run the lives of his three unruly ... See full summary »
Brenda de Banzie
At a café on a railway station, housewife Laura Jesson meets doctor Alec Harvey. Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday on the small café, although they know that their love is impossible. Written by
Noel Coward's short play Still Life was an unusual stepping off point for his full-length screenplay for Brief Encounter, which had some changes (notably in the relationship of our hero and heroine, or how far it gets) and gave Trevor Howard and Celia Johnson excellent roles in this very British mega-weepie. Rachmaninov's 2nd helps considerably, but the housewife and the doctor and their doomed romance, however improbable, manages to be both funny and touching, and Johnson in particular manages to put across the helplessness of a happily married woman who lets a new window open, just for a moment, in the realisation that it will be her only chance. David Lean's direction is atmospheric and sympathetic, and there are a number of choice smaller parts for the likes of Joyce Carey and Valentine Dyall. Perhaps the best of the Coward-Lean collaborations.
22 of 36 people found this review helpful.
Was this review helpful to you?