At a café on a railway station, housewife Laura Jesson meets doctor Alec Harvey. Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday in the small café, although they know that their love is impossible. Written by
Cast in his first major film role, Trevor Howard had a hard time adapting to acting for the camera. For the scene in which he had to rattle off a list of diseases while both he and Celia Johnson are really fighting their feelings for each other, it took him so many takes to capture both the script and what was beneath it, that Johnson began having problems maintaining spontaneity. See more »
Carnforth Station has had its name board covered and replaced with a big sign reading Milford Junction, but the smaller platform notices (behind Laura when Alec tells her about the job in South Africa) still show the next train's destinations as Hellifield, Skipton, Bradford and Leeds. See more »
[thinking to herself while looking at her husband, Fred]
Fred, dear Fred. There's so much that I want to say to you. You're the only one in the world with enough wisdom and gentleness to understand. If only it was somebody else's story and not mine. As it is, you're the only one in the world that I can never tell. Never never. Because even if I waited until we were old, old people and told you then, you'd be bound to look back over the years and be hurt. And my dear, I don't want you to be hurt....
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The person who wrote the first review of this movie must be either a complete moron or has an acute lack of appreciation for what constitutes great moviemaking.
"Brief Encounter" is the perfect encapsulation of a very specific time in both women's and British history. The immediate post-WW 2 era in the UK was a period that saw Brits struggling with the disppearance of traditional social mores that had endured for over a century and the new world order that came about at the conclusion of the war. (For another, beautifully crafted cinematic example, see Neil Jordan's exquisite movie "The End of the Affair.")
Food rationing was still in place in postwar Britain. Women were having to deal with getting to know their menfolk again, after their years of absence at war. Like their American "Rosie the Riveter" counterparts, British women had enjoyed newfound and unfamiliar independence during wartime, working for the war effort. And, like their US "sisters", they were expected to relinquish those jobs to returning men.
"Brief Encounter" is, in many ways, a metaphor for the struggle that men and women were going through, stuck with having to conform to social expectations while bursting to escape to the greater independence glimpsed fleetingly and pleasurably during the war, when everything and everyone were turned upside down.
Being the work of Noel Coward, that master observer of and commentator on English manners, "Brief Encounter" frames this struggle as a torrid love story bubbling under the surface of British reserve, which demands maintaining appearances at all costs, regardless of the personal pain involved.
This passionate pair, who never even exchange a kiss, are constrained and ultimately kept apart by expectations--of their families, of their social positions, of Great Britain.
When Alec puts his hand on Laura's shoulder at their final, unexpectedly truncated meeting in the station snack bar/waiting room, it's as erotic and far more touching than just about every sex scene you'll see in movies.
The first reviewer completely missed the point and the relevance of this movie in film history and, especially, in British cinema history.
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