Based on the Charles Dickens novel Oliver Twist is about an orphan boy who runs away from a workhouse and meets a pickpocket on the streets of London. Oliver is taken in by the pickpocket ... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
At a café on a railway station, housewife Laura Jesson meets doctor Alec Harvey. Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday in the small café, although they know that their love is impossible. Written by
On her first trip to Milford after meeting Dr. Harvey, Laura walks past a bookstore window. On display are a range of books published in 1944/45, including "Something in my Heart" by Walter Greenwood, "A Showman Goes East" by Carroll Levis, "The End of the Mildew Gang" by S. Fowler Wright, "Capri Moon" by Kelman Dalgety Frost, "Winter's Tales" by Karen Blixen, "Triple Mirror" by Kathleen Wallace, "Once a Jolly Swagman" by Montagu Slater, and "Grand Barrage" by Gun Buster (aka John Charles Austin). See more »
As Laura enters the apartment, the pattern of water marks on her back changes. See more »
Dr. Alec Harvey:
I love you. I love your wide eyes, the way you smile, your shyness, and the way you laugh at my jokes.
Dr. Alec Harvey:
I love you. I love you. You love me too. It's no use pretending it hasn't happened cause it has.
Yes it has. I don't want to pretend anything either to you or to anyone else. But from now on, I shall have to. That's what's wrong. Don't you see? That's what spoils everything. That's why we must stop, here and now, talking like this. We're neither of us free to love each ...
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I didn't think I'd write this comment till I saw the 2 previous ones criticizing 'BE'. I don't know how much this movie would appeal to camp-followers of an in-your-face go-getting culture. Some of the frequent adjectives describing this movie is 'civilised', 'restrained', 'noble'. To those who call this movie dated, I'll say that these are indeed qualities which are hardly followed & upheld today, especially in movies. However movies do reflect contemporary social mores, & maybe the story of two illicit lovers sacrificing their love for something as obvious as home & family does not find to many buyers today.
For those who think a movie can convey some of the most intimate emotions, conflicts & visions known to us, those who believe 2 art forms (Rachmaninoff's 2nd, Lean's 4th) can coexist brilliantly, & finally for those who believed David Lean got body-snatched in mid-career to make over-blown nonsense like 'Dr. Zhivago' this is one of the best ways to spend 86 minutes!
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