After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during the First World War and then the October Revolution.
At a café on a railway station, housewife Laura Jesson meets doctor Alec Harvey. Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday in the small café, although they know that their love is impossible. Written by
When Laura comes to see Alec at his friend's flat, there is a Middle Eastern rug hung on the wall. The style of the rug itself confirms that it is Persian, but the beautiful calligraphy is Arabic. It is from a ninth-century love poem by the Arab poet Ali Bin Salwa Al-qusari. it reads, from the right-hand corner of the rug and going anti-clockwise: "The Utterance of Passion - In My Eye - Speaks To You". See more »
Carnforth Station has had its name board covered and replaced with a big sign reading Milford Junction, but the smaller platform notices (behind Laura when Alec tells her about the job in South Africa) still show the next train's destinations as Hellifield, Skipton, Bradford and Leeds. See more »
[playing the crossword puzzle]
You're a poetry addict. See if you can help me over this. It's Keats. 'When I behold, upon the night's starr'd face / Huge cloudy symbols of a high _______.' Something that's seven letters.
Romance, I think. I'm almost sure it is. 'Huge cloudy symbols of a high romance.' It will be in the Oxford Book of English Verse.
No, it's right I'm sure. It fits in with 'delirium' and 'Baluchistan.
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It really pleases me to see the very positive responses here to this gem of a movie. I recently read Kevin Brownlow's epic, detailed biography of David Lean, and I'm less mystified as to how Lean went from intimate character dramas such as this one, and even GREAT EXPECTATIONS and OLIVER TWIST, to the big-screen epics which placed far more emphasis on scenery and very little on character. Lean had great problems with intimacy, and much preferred grandeur (he virtually abandoned his son, and didn't meet one of his grandchildren until she was about 30). I'm not knocking the epics, because I've enjoyed them as well, but at the end of LAWRENCE OF ARABIA one knows about as much about Lawrence as one did about 3-1/2 hours earlier. ..unlike Alec and Laura in this film, whom we know very well after 1-1/2 hours, or Pip and Miss Havisham in EXPECTATIONS, characters who leapt off the screen and endeared themselves to us (it also helped that some really gifted actors & actresses played these roles).
I never tire of BRIEF ENCOUNTER - it's one of the screen's great romances, perhaps because it doesn't quite end "happily ever after". It remains simple, honest, and unforgettable.
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