Nick Condon is a newspaper reporter working in Tokyo who refuses to toe the Japanese line on the expansionist policies of the anti-democratic Imperialist government. When it become clear to the authorities that Condon isn't going to cooperate and that he has some valuable information and contacts, they decide to get him in their clutches for some interrogations and then dispose of him. Written by
Right after Ollie Miller gets shot you see him stumbling to the ground. When he gets up, under his left elbow you can see carpet moving in what should be grass. See more »
But gentlemen, I know nothing about this article being printed. I was out of town.
Secret Police Major Kajioka:
Then let me read what is printed here in your paper. "If Japan wants to control China we must first crush the United States just as in the past we have to fight in the Russo-Japanese war."
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One point is made repeatedly in this film--the fascist government which ruled Japan was extreme in both concept and execution. James Cagney, as reporter Nick Condon, fights against fascism in this movie and he fought against injustice in so many other films. In a way, this film is another gangster movie, somewhat like the gangster movies of the 1930s, but, too, the story has to do with much more that simple violations of law for the gangsters are in the Japanese Imperial Government. Cagney seems willing to take on the whole Imperial concept of Japanese rule which began prior to World War Two. His efforts are not anti-Japanese but anti-Facist. In fact, the movie could have been made about Hitler's Nazism and the story would have been about the same. One finds Cagney as the tough guy confronting bumbling police and meeting with mysterious women. He even maintains the newspaper tradition relative to the constant drinking of alcohol. Yet, the film transcends the mundane because of the importance of the struggle during the war years, years which follow the movie's time frame. It's vintage Cagney, well worthwhile.
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