Trucker Eddie Kennedy gets involved with the law when he has an car accident with Ann Reid and knocks the owner of a dairy out. He evades a penalty when he claims, that he had done it as an... See full summary »
When the Germans invade Norway their Commandant and the town Mayor confront each other, attempting to maintain civility as far as possible. When the army tries to orgnanize townspeople to ... See full summary »
Lee J. Cobb
Nick Condon is a newspaper reporter working in Tokyo who refuses to toe the Japanese line on the expansionist policies of the anti-democratic Imperialist government. When it becomes clear to the authorities that Condon isn't going to cooperate and that he has some valuable information and contacts, they decide to get him in their clutches for some interrogations and then dispose of him. Written by
In the opening credits, the copyright is "MCMLXV." which is 1965. The film was produced in 1945, so the copyright should read "MCMXLV." See more »
But gentlemen, I know nothing about this article being printed. I was out of town.
Secret Police Major Kajioka:
Then let me read what is printed here in your paper. "If Japan wants to control China we must first crush the United States just as in the past we have to fight in the Russo-Japanese war."
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One point is made repeatedly in this film--the fascist government which ruled Japan was extreme in both concept and execution. James Cagney, as reporter Nick Condon, fights against fascism in this movie and he fought against injustice in so many other films. In a way, this film is another gangster movie, somewhat like the gangster movies of the 1930s, but, too, the story has to do with much more that simple violations of law for the gangsters are in the Japanese Imperial Government. Cagney seems willing to take on the whole Imperial concept of Japanese rule which began prior to World War Two. His efforts are not anti-Japanese but anti-Facist. In fact, the movie could have been made about Hitler's Nazism and the story would have been about the same. One finds Cagney as the tough guy confronting bumbling police and meeting with mysterious women. He even maintains the newspaper tradition relative to the constant drinking of alcohol. Yet, the film transcends the mundane because of the importance of the struggle during the war years, years which follow the movie's time frame. It's vintage Cagney, well worthwhile.
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