Bewitched (1945)A young woman has two distinct personalities, one of whom is evil and constantly gets her in trouble. Director:Arch Oboler |
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Bewitched (1945)A young woman has two distinct personalities, one of whom is evil and constantly gets her in trouble. Director:Arch Oboler |
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| Complete credited cast: | |||
| Phyllis Thaxter | ... |
Joan Alris Ellis
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| Edmund Gwenn | ... |
Dr. Bergson
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Henry H. Daniels Jr. | ... |
Bob Arnold
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Addison Richards | ... |
John Ellis
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Kathleen Lockhart | ... |
Mrs. Ellis
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Francis Pierlot | ... |
Dr. George Wilton
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Sharon McManus | ... |
Small Girl
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Gladys Blake | ... |
Glenda
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| Will Wright | ... |
Mr. Herkheimer
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Stephen McNally | ... |
Eric Russell
(as Horace McNally)
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Oscar O'Shea | ... |
Capt. O'Malley
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Minor Watson | ... |
Governor
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Virginia Brissac | ... |
Martha--Governor's Wife
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At her engagement party, Joan Ellis, your typical girl next door, acknowledges that the strange voice that she's heard all her life is coming from within herself. Joan's alter ego, a conniving and murderous woman named Karen, is becoming stronger and stronger and is threatening to take over her life. Joan negotiates with Karen. Although they do come to an agreement, Karen reneges on that agreement when the situation suits her. Karen ultimately wants the men in Joan's life, first her fiancé, Bob Arnold, then Eric Russell, a lawyer Joan meets in New York City. Joan does whatever she needs to to get rid of Karen, even if it a threat to her own life. Without knowing for certain what is wrong with Joan, those close to her, including Eric and Dr. Bergson, do whatever they can to save her. Written by Huggo
A psychological melodrama about a woman suffering from split personality. There's a hint of the noir style here, resulting in some of the film's few good moments, but overall it's just too silly to enjoy on any level besides camp. Any movie of this era that attempts to tackle psychiatry invariably simplifies it far too much, both the condition and the cure. A lot of the plot is just too convenient and/or unexplained (how the hell did Bob find her?) and there's not very much dramatic tension. Phyllis Thaxter does a fairly good job in the lead, no one is very satisfying, including Audrey Totter as the alter ego's voice-over. Movies like this are nice reminders that not all classic cinema is gold.