British railway workers in Kenya are becoming the favorite snack of two man-eating lions. Head engineer Bob Hayward becomes obsessed with trying to kill the beasts before they maul everyone on his crew.
A military nurse recovering at an inn from a nervous breakdown keeps having dreams where she sees two men trying to murder a third. When she meets a man who is a federal agent at the inn, ... See full summary »
Homicide detective Mike Carter is tossed off the police force for insubordination and violating regulations. He reluctantly takes a job as bodyguard to Mrs. Gene Dysen, the owner of a local... See full summary »
A lonely, mentally unbalanced woman invents a fictitious daughter and has the "daughter" write to a Marine stationed in the South Pacific. When the soldier returns back to the States, he ... See full summary »
At her engagement party, Joan Ellis, your typical girl next door, acknowledges that the strange voice that she's heard all her life is coming from within herself. Joan's alter ego, a conniving and murderous woman named Karen, is becoming stronger and stronger and is threatening to take over her life. Joan negotiates with Karen. Although they do come to an agreement, Karen reneges on that agreement when the situation suits her. Karen ultimately wants the men in Joan's life, first her fiancé, Bob Arnold, then Eric Russell, a lawyer Joan meets in New York City. Joan does whatever she needs to to get rid of Karen, even if it a threat to her own life. Without knowing for certain what is wrong with Joan, those close to her, including Eric and Dr. Bergson, do whatever they can to save her. Written by
A psychological melodrama about a woman suffering from split personality. There's a hint of the noir style here, resulting in some of the film's few good moments, but overall it's just too silly to enjoy on any level besides camp. Any movie of this era that attempts to tackle psychiatry invariably simplifies it far too much, both the condition and the cure. A lot of the plot is just too convenient and/or unexplained (how the hell did Bob find her?) and there's not very much dramatic tension. Phyllis Thaxter does a fairly good job in the lead, no one is very satisfying, including Audrey Totter as the alter ego's voice-over. Movies like this are nice reminders that not all classic cinema is gold.
0 of 4 people found this review helpful.
Was this review helpful to you?