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Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops... See full summary »
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Father O'Malley, the unconventional priest from 'Going My Way', continues his work for the Catholic Church. This time he is sent to St. Mary's, a run-down parochial school on the verge of condemnation. He and Sister Benedict work together in an attempt to save the school, though their differing methods often lead to good-natured disagreements. Written by
Greg Helton <email@example.com>
There is a gray bar at the bottom of the screen on the title card at the start of the movie: it is meant to cover something, but nobody knows what it is covering. See more »
When Sister Benedict is starting to erase her drawn portrait on the blackboard when Father O'Malley walks in, she barely erases any of the portrait, but in the next scene most of the portrait is already erased. See more »
Father Chuck O'Malley:
Does she know about this.
Oh, not yet. It's very important that she doesn't know it. She has a wonderful vitality, a natural optimism, and that's the best medicine anyone can have. If that spirit is dampened, it would... it would have a depressing effect and delay her recovery.
Father Chuck O'Malley:
She'll have to know about it. We... we can't just send her away without...
Don't you people, uh, more or less, uh, go where you're told without question?
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As the companion piece to "Going My Way", "The Bells of St. Mary's" shares the same pleasant, upbeat tone, and it has a similar story that, though stylized, has some worthwhile and thoughtful material. Besides Bing Crosby, the cast here features Ingrid Bergman and several solid supporting players such as Henry Travers and Rhys Williams.
As Sister Benedict, Father O'Malley's foil here, Bergman gives this movie its own feel, with themes somewhat different from those in O'Malley's debates with Barry Fitzgerald's character in "Going My Way". Everyone has their own preference between the two movies, but as fine an actress as Bergman is, it's really hard to match - much less top - the dimension that Fitzgerald added in the other film.
Probably each of the two Father O'Malley movies should just be enjoyed for its own merits. While the story here is hardly anything weighty, "The Bells of St. Mary's" offers good entertainment and some worthwhile, positive thoughts.
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