Father O'Malley, the unconventional priest from 'Going My Way', continues his work for the Catholic Church. This time he is sent to St. Mary's, a run-down parochial school on the verge of condemnation. He and Sister Benedict work together in an attempt to save the school, though their differing methods often lead to good-natured disagreements. Written by
Greg Helton <firstname.lastname@example.org>
The production was overseen by a Catholic priest who served as an advisor during the shooting. While the final farewell sequence was being filmed, Bing Crosby and Ingrid Bergman decided to play a prank on him. They asked director Leo McCarey to allow one more take, and, as "Father O'Malley" and "Sister Benedict" said their last goodbyes, they embraced in a passionate kiss, while the offscreen priest-advisor jumped up roaring in protest. See more »
When O'Malley breaks up the fight in the school yard, Eddie's opponent introduces himself as Charley Smith. When O'Malley and Sister discuss what's to be done, Sister says you should talk to Tommy. Later he's referred to as Charley again and then back to Tommy. See more »
Bobby - Boy Playing Joseph:
This is Mary and I'm Joseph and we're going to Bethlehem to see if we can have someplace... find someplace to stay, and that's all you have to know, really.
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1944's "Going My Way" was a wispy-thin Oscar winner with only Barry Fitzgerald's adorable curmudgeon-ness to lift it out of sugary banality; this sequel drops Barry, so it shouldn't be of much use. However, director Leo McCarey actually pulls off a winner. Bing Crosby is back as Father O'Malley, and he's more human here than before, and his warm, witty battles with sister Ingrid Bergman are a delight (it helps that Bergman is possibly the most glowing, knowing, embraceable nun in Hollywood history!). Their smooth trials with the students and each other at St. Mary's have a seamless professionalism that, while not especially fresh, works the audience over with sheer good will. A sub-plot involving a troubled young girl (the excellent Joan Carroll) and her mother is a dandy heart-tugger, and the light music involved isn't such an obvious device as it was in "Going My Way"; the songs are there, but they're unobtrusive. A very good film, one that triumphs over its predecessor. Bing proves to be a solid actor here, not just a personality; he makes Father O'Malley a reachable character rather than just a holy rascal. Watch for his hesitation at the very end, and the thoughtfulness he gives to the scene. Admirably, Crosby gives back this time around. ***1/2 from ****
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