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Bedside Manner (1945)

 -  Comedy  -  22 June 1945 (USA)
6.3
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Ratings: 6.3/10 from 75 users  
Reviews: 3 user | 1 critic

Macho pilot is treated by a woman doctor. Complications ensue.

Director:

(as Andrew Stone)
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Title: Bedside Manner (1945)

Bedside Manner (1945) on IMDb 6.3/10

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Cast

Complete credited cast:
John Carroll ...
...
...
...
Lola Cross
Esther Dale ...
Martha Gravitt
...
Mr. Pope
Frank Jenks ...
Pvt. Harry Smith
Vera Marshe ...
Mrs. Mary Hastings (as Vera Marsh)
Claudia Drake ...
Tanya Punchinskaya
Renee Godfrey ...
Stella Livingston
Joel McGinnis ...
Pvt Tommy Smith
John James ...
Pfc. Dick Smith
Bert Roach ...
George Hastings
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Storyline

A beautiful female doctor visits her small hometown on her way back to Chicago. Her overworked uncle, who is the town's doctor, wants her to stay and help him, and he and a macho test pilot who's fallen for her come up with a plan that involves the pilot faking an illness and being treated by her, with her uncle's "help". Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Plot Keywords:

pilot | female doctor | See All (2) »

Taglines:

When Beautiful Doctor Meets Handsome Hospital Case.. IT'S TOUCH AND OH!

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

22 June 1945 (USA)  »

Also Known As:

Her Favorite Patient  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »

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User Reviews

 
Wartime Romantic Farce Salvaged By Capable Actors In Addition To Good Production Values.
16 June 2006 | by (Mountain Mesa, California) – See all my reviews

Director Andrew Stone is considered by some cinéastes as an auteur predicated upon his later work, but this frothy piece is an example made during his earlier period, now available on an Alpha DVD that provides a more than merely acceptable print, utilizing the film's 1950 reissue, titled anew as HER FAVORITE PATIENT under the banner of Astor Pictures, with its rather disjointed plot, after Robert Carson's Saturday Evening Post story, offset by solid performances contributed by cast and crew members. Produced and directed by Stone, the movie is too silly to be dislikeable, depicting a visit to her Midwestern hometown by physician Hedy Fredericks (Ruth Hussey) while on the way to her research position with a Chicago institute. Her uncle, also a doctor, one of only two serving the burgeoning community, is overworked and desires that his niece remain in the town and aid with his practice, but Hedy is very resistant to that idea until her resolve is weakened after she meets a dashing test pilot, Morgan Hale (John Carroll) who, along with her "Uncle Doc" (Charles Ruggles) develop a scheme that, by hopefully eliminating any desire to continue on to Chicago, will enable Hedy to not only assume a portion of local medical responsibilities, but also to favour Morgan's not unwelcome romantic advances. Talented Hussey finds naught to tax her accomplished sense of comic timing, and costumes created for the slender star are first rate; Carroll is oddly appealing in an uncustomary comedic role; Ann Rutherford and Renee Godfrey stand out among many skilled supporting female players; Grant Mitchell effortlessly performs as Hale's boss; veteran character actor Frank Jenks heads a trio of amourous Marines; and pleasing turns come from Syd Saylor, mouthing bromides, and Earle Hodgins, a past master of garrulity. Efficient editing by Cecil De Mille alumnus James Smith is specially valuable for the film's pacing, as is fine sound quality engendered by Frank Webster, while the interior decor of Jacque Mapes and overall art direction under Rudi Feld also enhance this pleasant soufflé wherein occasional weakly composed dialogue is handled crisply by director Stone.


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