IMDb > Back to Bataan (1945)

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Overview

User Rating:
6.5/10   1,219 votes
MOVIEmeter: ?

Down 18% in popularity this week. See why on IMDbPro.

Director:

Edward Dmytryk

Writers:

Ben Barzman (screenplay) and
Richard H. Landau (screenplay) ...
more

Contact:

View company contact information for Back to Bataan on IMDbPro.

Release Date:

31 May 1945 (USA) more

Genre:

Drama | War more

Plot:

The US Army's defense of its Philippines colony and the allied Malay countries/colonies behind it counted... more | add synopsis

User Comments:

An All-Too- Rare Look at Filipino Resistance more (19 total)


Cast

  (Complete credited cast)

John Wayne ... Col. Joseph Madden

Anthony Quinn ... Capt. Andrés Bonifácio
Beulah Bondi ... Bertha Barnes
Fely Franquelli ... Dalisay Delgado
Richard Loo ... Maj. Hasko
Philip Ahn ... Col. Coroki
Alex Havier ... Sgt. Bernessa (as J. Alex Havier)
'Ducky' Louie ... Maximo Cuenca
Lawrence Tierney ... Lt. Cmdr. Waite
Leonard Strong ... Gen. Homma
Paul Fix ... Bindle Jackson
Abner Biberman ... Japanese Captain
Vladimir Sokoloff ... Señor Buenaventura J. Bello
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Additional Details

Also Known As:

The Invisible Army
more

Runtime:

95 min

Country:

USA

Language:

English

Aspect Ratio:

1.37 : 1 more

Sound Mix:

Mono (RCA Sound System)

Certification:

West Germany:12 (f) | USA:Approved (certificate #10576) | UK:PG | Finland:(Banned) (uncut) (1954) | Finland:K-16 (heavily cut) (1954) | Sweden:15

Filming Locations:

Philippines more


Fun Stuff

Trivia:

The first 10 notes of "Lupang Hinirang", the Philippine National Anthem was played during the vehicular ambush scene against the Japanese by the Philippine Guerrillas more

Goofs:

Revealing mistakes: Miss Barnes asks Col. Madden if, after he avenges the hanging of Senor Bello, he would erect a sign in his honor quoting a Filipino poem that mentions several kinds of trees, including a cypress. Madden and his men do so, but the on the sign the word cypress is erroneously spelled "Cyprus", like the Mediterranean island. more

Quotes:

Maximo Cuenca: [a poor student dying in his teacher's arms after heroic action] Miss Barnes, I'm sorry I never learned how to spell "liberty".
[dies]
Bertha Barnes: [tearfully] No one ever learned it so well.
more

Movie Connections:

Featured in The John Wayne Anthology (1991) (TV) more


FAQ

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7 out of 8 people found the following comment useful.
An All-Too- Rare Look at Filipino Resistance, 29 May 2006
6/10
Author: wuxmup

The only thing that distinguishes "Back to Bataan" from scores of other routine war films is its historical theme, which remains an uncommon and important one. Few young Americans today have even heard of the Filipino and American disaster at Corregidor and the Bataan Death March that followed, during which numerous sick and hungry prisoners of war were beaten and killed by their Japanese guards. Although the movie accurately portrays the spirit of Filipino resistance to the Japanese, the individual characters from John Wayne down are cut from the usual Hollywood cardboard. Even the real American survivors of Japanese imprisonment, filmed here some months after their liberation during the invasion of the Philippines, are shown, supposedly right after they got out of the Japanese prison camp, freshly shaved and with neatly trimmed hair. Similarly, the guerrilla force led by John Wayne looks little the worse for wear even after two and half years of jungle warfare (whixh seem like about a week in this movie).

The Japanese lynching of the school principal is well handled. The man has not set out to be a hero, but put under the gun, literally, he is simply unable to haul down the American flag. The invaders hang him as an example.

Despite its weaknesses, "Back to Bataan" is still watchable and even enjoyable as a different view of World War II, especially if you're a high-schooler who hasn't yet become too cynical about Hollywood war movies. John Wayne and Anthony Quinn are their usual solid selves, and Beulah Bondi (as a naive but tough American matron)is an unusual asset in this kind of action film.

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