A fictional account of the real life, eleven day, never explained 1926 disappearance of famed murder mystery writer Agatha Christie is presented. On a cold winter day, her damaged car with ... See full summary »
A disturbing psychological thriller based on the classic novel by Agatha Christie. Ten strangers are forced to come face to face with their dark pasts after receiving an anonymous invitation to an isolated island off the coast of England.
Ten people are invited for a weekend on an island by a Mr U. N. Own, but he isn't on the island. At dinner a record is played, by that all the people are accused of murder, suddenly the first of them is dead, then the next... It seems to be that one of them is the murderer Mr. U. N. Own, but the person in suspect is always the person who is murdered next. At last only two people seem to be left. Written by
Stephan Eichenberg <email@example.com>
This movie, as all existent versions of "Ten Little Indians," is based not on the novel by Agatha Christie but on her very similar play. While the identity of the murderer is the same in both versions, the outcome of who survives the murderer's plot is very different. See more »
The accusations recorded on the phonograph record state that Mr. Lombard killed several natives in East Africa. Later, during the confession scene at the table, Mr. Blore says that Mr. Lombard killed natives in South Africa. See more »
Judge Francis J. Quincannon:
So you see, the whole thing has been as inevitable as in a nursery rhyme. When the boat arrives from the mainland, there will be ten dead bodies, and a riddle no one can solve on Indian Island.
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The first line of the nursery rhyme appears onscreen - "Ten Little Indians Went Out To Dine...." - superimposed over a set of small statues of Native Americans - this is immediately followed by the film's title "And Then There Were None". See more »
This is a dramatization of the consummate Agatha Christie book, the benchmark for the whodunit. Each of the characters is nicely portrayed by accomplished actors. The pacing, the subdued dialogue, all make this film work, even though it was felt necessary to doctor the plot and rename characters (this I will never understand). I won't criticize because I've never felt that we should compare movies to books--they are different media--unless the plot is badly compromised. This one is not. I remember being really pleased as a young viewer that Christie is able to bring all issues to a resolution in a believable and realistic way--no hidden doors--no strange interventions. She is able to do this even in her lesser books. Sometimes it is preferable to not be open ended, leaving unfinished details. I relish this author and the movies and movie portrayals of her books.
I also need to mention the music. The score is so carefully tuned to the actions of the characters. The black and white photography lends itself well to the oppressiveness of the setting where the characters find themselves. You definitely should see this film.
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