Based on Agatha Christie's novel and subsequent stage play. Ten people are invited to an isolated island, only to find that an unseen person is killing them one by one. Could one of them be the killer?
A psychological thriller based on the novel by Agatha Christie. Ten strangers are forced to come face to face with their dark pasts after receiving invitation to an isolated island off the coast of England.
Ten people are invited for a weekend on an island by a Mr U. N. Own, but he isn't on the island. At dinner a record is played, by that all the people are accused of murder, suddenly the first of them is dead, then the next... It seems to be that one of them is the murderer Mr. U. N. Own, but the person in suspect is always the person who is murdered next. At last only two people seem to be left. Written by
Stephan Eichenberg <firstname.lastname@example.org>
This movie, as all existent versions of "Ten Little Indians," is based not on the novel by Agatha Christie but on her very similar play. While the identity of the murderer is the same in both versions, the outcome of who survives the murderer's plot is very different. See more »
The cat, supposedly playing with Mrs. Brent's ball of yarn, bats the ball downstairs, leading others to follow the trail of yarn back to Mrs. Brent's room where they discover her body. However, the trail of yarn was obviously placed by stagehands starting at the stair rail then working towards the bedroom. The loops are draped one over the other going back to the body. It would be impossible to unwind the yarn from the ball and have each loop fall under the previous loop as presented. See more »
The first line of the nursery rhyme appears onscreen - "Ten Little Indians Went Out To Dine...." - superimposed over a set of small statues of Native Americans - this is immediately followed by the film's title "And Then There Were None". See more »
Rene Clair's masterful direction takes Christie's classic novel up to a new dimension more suitable for cinema. Every character is perfectly realized by magnificent acting. My favorite is C. Aubrey Smith who portrays General Mandrake with a British subtlety that cannot be understood fully by today's American viewers. But why quibble?
Every cast member is perfect. Roland Young may actually be the most instrumental as Blore in keeping the films wit intact and never allowing it to get too serious. Barry Fitzgerald is terrific as the Judge, and Huston perfection itself as the charming, albeit alcoholic, doctor. Dame Judith Anderson, perhaps the best supporting actress of all time, dominates every seen she is in as a sinister spinster.
But, of course, there is a lead, and in the hands of a lesser actor, he could have wound up being a feckless straight man to all the great character actors around him. With Louis Hayward as Mr. Lombard, the character more than holds his own with all challengers, and has an especially nice chemistry with Young. And although June Duprez is slightly out of her league as a thespian, she is plucky and capable enough, with Hayward's help, to pull off her role just fine.
The atmosphere, photography, and soundtrack are all artistic perfection. This movie is a true treat for all the senses.
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