After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks... See full summary »
Ten people are invited for a weekend on an island by a Mr U. N. Own, but he isn't on the island. At dinner a record is played, by that all the people are accused of murder, suddenly the first of them is dead, then the next... It seems to be that one of them is the murderer Mr. U. N. Own, but the person in suspect is always the person who is murdered next. At last only two people seem to be left. Written by
Stephan Eichenberg <firstname.lastname@example.org>
There is no dialogue at all in this film for the first five minutes. See more »
In a flashback, Mr. Owen kills the seventh victim, takes a drink from a flask, and then tosses the flask away, leaving the stopper open. However, when two characters find the flask the next day, the stopper is closed. See more »
Judge Francis J. Quincannon:
So you see, the whole thing has been as inevitable as in a nursery rhyme. When the boat arrives from the mainland, there will be ten dead bodies, and a riddle no one can solve on Indian Island.
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The first line of the nursery rhyme appears onscreen - "Ten Little Indians Went Out To Dine...." - superimposed over a set of small statues of Native Americans - this is immediately followed by the film's title "And Then There Were None". See more »
This is a dramatization of the consummate Agatha Christie book, the benchmark for the whodunit. Each of the characters is nicely portrayed by accomplished actors. The pacing, the subdued dialogue, all make this film work, even though it was felt necessary to doctor the plot and rename characters (this I will never understand). I won't criticize because I've never felt that we should compare movies to books--they are different media--unless the plot is badly compromised. This one is not. I remember being really pleased as a young viewer that Christie is able to bring all issues to a resolution in a believable and realistic way--no hidden doors--no strange interventions. She is able to do this even in her lesser books. Sometimes it is preferable to not be open ended, leaving unfinished details. I relish this author and the movies and movie portrayals of her books.
I also need to mention the music. The score is so carefully tuned to the actions of the characters. The black and white photography lends itself well to the oppressiveness of the setting where the characters find themselves. You definitely should see this film.
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