In the Fifteenth Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen years old farm girl Joan of Arc claims to hear voices from ... See full summary »
Francis L. Sullivan
Maj. Pete Sandidge is a very able pilot who seems to have a streak of luck as far as flying goes. World War II is raging and Pete has come out of it pretty so far. He even has a beautiful ... See full summary »
Philip Sutherland is an American news writer stationed in Moscow since the war; while there he falls for a Russian ballet dancer, Marya Lamarkins, who, he finds out, learned English because... See full summary »
Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without ... See full summary »
Two brothers, Ben and Clint, join a cattle drive from Texas to Montana. While heading for Texas they save Nella from the Indians, and she decides to ride with them. Ben and Nella start to ... See full summary »
Shortly after WWII, flashbacks tell the story of Marise, her husband Paul, and Jean, who was imprisoned with Paul in a German camp. While attempting to escape from the camp Paul is shot, ... See full summary »
This film was Clark Gable's first after he returned to Hollywood following his service in the Army Air Corps in World War II. He had joined in August 1942, following the death of his wife Carole Lombard. MGM hyped this film as Gable's big comeback, using the line, "Gable's Back and Garson's Got Him!" in the advertising. Audiences at first lined up to see the King back in action, but the novelty wore off and the film flopped. See more »
I like Gable and Garson. But not together. They just don't make a believable screen couple. Apparently the stars had such opposite personalities that they didn't get along well while making this movie. Y'know, that might explain their *very* convincing portrayal of hostility when their characters meet. In fact, there's nothing in the story to warrant such immediate, vehement animosity - so it must be real life bleeding through the actors' performances.
Far less convincing is the falling in love part, which comes out of nowhere. Well, out of a contrived and ridiculous situation. So, she starts to like him after they steal chickens together and get shot at by a farmer? Um... okay. I guess it was a thrilling experience that made her suddenly want him because... it's exciting to be with a guy who almost got you killed? The scene is played lightheartedly, even as they're running away, dodging bullets. Bizarre.
I never understood Greer Garson's character. I couldn't figure out how she really felt about things. For instance, when he plans to go back to sea and leave her, I can't tell if her reaction and speech was genuine, or if she was putting on some sort of front. Besides her behavior is inconsistent. I blame the script for being confusing, and peppered with strange, unrealistic dialogue. Maybe Greer didn't "get" her character either. All I know is, her acting seems rather...bad. To be fair, Joan Blondell overacts too - whether it's frenzied flirting, or wailing & crying in exaggerated "I Love Lucy" fashion - she comes across as cartoonish. I hate to say it 'cause I've always liked Joan before. Actually, Gable's acting is a bit over-the-top as well! It's gotta be the poor script or misguided director.
There's one scene that really made me laugh. Greer's watching Clark eat
He's scarfing down his food, all uncouth. And she's gazing at him,
with what I assume is meant to be ...lust? Making googley eyes, smiling, pouting, grimacing...all in quick succession. Her lips are out of control! "Oh Clark, you're so sexy when you gobble your dinner like a caveman! Wanna steal more chickens before bed?"
Apart from the fatally mismatched leads, this movie is just...strange. The tone's all over the place - is it serious, is it comical? Usually it's comical when it's supposed to be serious. I guess the intended effect was "mystical" and "moving" when the drunken sidekick thinks he's lost his soul (literally saw it exit his chest!) and wants to repent of the sins he's committed. But I found it laughable. Not to mention that last scene when someone (keeping it vague here) WILLS someone else to live, and it's, like, supernatural or spiritual or some junk.
This movie tries to be many things - deep, philosophical, preachy... a comedy, romance, melodrama... it's anything but an Adventure! But I guess a confounding title kinda fits a film that, itself, doesn't make much sense.
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