In one of his rare performances without Bud Abbott, Lou Costello plays a rubbish collector and inventor. When radiation in a nearby cave turns his girlfriend into a giantess, antics ensure ... See full summary »
Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things ... See full summary »
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with ... See full summary »
A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's ... See full summary »
Buzz and Abercrombie are agents trying to get Jeff Parker the lead in a movie musical. Routines include Lou's insomnia and his being unable to hear Bud due to his wearing an earplug. Lots of movie studio stuff. Written by
Ed Stephan <email@example.com>
After the disappointing performance of this film at the box office, MGM dropped its option to produce more Bud Abbott & Lou Costello films. See more »
When Abercrombie (actually, Lou Costello's obvious stunt double) pulls himself up on the "DON'T STAND UP!" sign on the roller coaster, part of his head disappears when the roller coaster cars pass beneath in a special effects shot. See more »
Can you imagine A Night at the Opera with only two Marx Brothers? That's essentially what you get in Abbott and Costello in Hollywood.
As good as they were, the Marx Brothers never got their names into the title of any picture they did. That's because they weren't half the box office draw that Bud and Lou were.
Like Chico and Harpo, Bud and Lou are barbers who get the idea to be agents. They decide to handle the career of Robert Stanton the same way Chico and Harpo sign up Allan Jones. And crooner Stanton does get into the picture in just about the same way Jones broke into Il Trovatore.
Too bad though that Stanton never got to sing some songs as good as Cosi-Cosa or Alone. Might have a career for him.
A&C got some good bits in. They had a good scene with MGM comedian Rags Ragland after Ragland comes in for a shave. And Costello being chased through the finale in a midway sequence is pretty funny.
This was the last of three films that Universal loaned out the boys to MGM for the glossier productions than what they were used to at Universal. My favorite of the three MGM films has always been Lost in a Harem. That has more the zany quality of the Universal films than either Abbott and Costello in Hollywood or Rio Rita has.
This one did only so-so box office as compared to the Universal product and Carl Laemmle, Jr. lent them out no more.
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